Tilda Swinton Quotes
I think of great masters, like [Alfred] Hitchcock, for example, who works absolutely within this sensational realm. You feel like you can always tell what temperature a room is in a Hitchcock film because the people feel alive, they don't feel like they're just being filmed on a stage.
Quotes to Explore
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What you want to do is you want to own as little sort of hard infrastructure as possible, and your real value is your name and how you build that up.
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Even if you walk exactly the same route each time - as with a sonnet - the events along the route cannot be imagined to be the same from day to day, as the poet's health, sight, his anticipations, moods, fears, thoughts cannot be the same.
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Serena and I have done some great career planning, and we're playing really at the peak of our tennis right now. I think tennis has been a sport where people play this insane schedule from 14 years old, so of course at 26, it's over. We've really paced ourselves.
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I could go and make commercials left and right and pretend like I am a celebrity, but that is not me.
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Be there for your kids. Later, when you need them, they'll be there for you.
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When I am cast in a movie where I feel that the woman's part is more interesting, I usually start thinking about Spencer Tracy and Fred Astaire. They seem to be the most clear actors when working with women.
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I don't know that on-demand sports is remarkably better than live sports.
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The most fascinating person is always the one of the most winning manners; not the one of greatest physical beauty.
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I was supposed to be a doctor. I was supposed to go to Princeton. And everything I was supposed to do I didn't.
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I am obsessed with the whole Victoriana thing, the whole Jack the Ripper London era, the grayness of it, the haunted feeling of it, all ancient and bloody.
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Owing to the fact that leaders in the women's groups made a point of serving on the jury here whenever they were called, we have always had an unusually high type of women represented on the jury.
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Don't be afraid to convince yourself that your business is incredible, but don't expect others to be convinced without solid data to back it up. Ideas can be a worth a lot, but they are usually not. Execution is everything.
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I hardly teach. It's more like a gathering of minds looking at one subject and learning from each other. I enjoy the process.
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I love bayou life.
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I love the crowds at festivals because they're so chilled out.
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After 'A Suitable Boy,' I didn't write anything, not even a short story. I thought to myself: 'I ought to start writing.' But I can never force myself to write.
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I don't ever want to be a person that I'm not. A lot of girls fall into the trap where they are trying to impress other people, and that's the time when they lose themselves.
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Growing up in Nashville, especially in a music business family, means growing up with knowledge that seems like common sense until later in life when you realize people spend thousands of dollars a semester trying to learn or pretending to learn while looking for some intern job on music row.
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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My time is focused on family and work. I need to find a way to spend more time with my friends - and cycling.
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When you argue with your inferiors, you convince them of only one thing: they are as clever as you.
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For a long time I have been thinking about affordable fashion - you can be disappointed when not so many people can wear your stuff.
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The protagonists that I've played tend to be people who make trouble. Or even if they don't make it, they certainly disrupt things. It's fun to do that in life as well. But I don't think I ever played myself.
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I think of great masters, like [Alfred] Hitchcock, for example, who works absolutely within this sensational realm. You feel like you can always tell what temperature a room is in a Hitchcock film because the people feel alive, they don't feel like they're just being filmed on a stage.
