Harper Reed Quotes
I usually hire people who have very exemplary work experience. Where they went to school, or what degree they have, really has no play into the hiring decision.
Quotes to Explore
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I went to India and met some people who had been involved in this guerrilla business, middle-class people who were rather vain and foolish. There was no revolutionary grandeur to it. Nothing.
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There's book smart, there is street smart, there's relationship smart, there's too many different kinds of smarts to know all of them. Everybody doesn't know every kind of smart. There's money smart, there's movie smart, there's computer smart. There's just too many different kinds of smarts for people to know all the smarts.
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Creativity is generating ideas that are novel and useful. I define originals as people who go beyond dreaming up the ideas and take initiative to make their visions a reality.
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When I first put my hat in the ring, several very tried and true and loyal Democratic activists from our community said, 'What? She's not a Democrat. She's a Republican.' I took that as a compliment, you know, that people didn't necessarily know what my ideology might be because I wasn't driven by that.
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My freshman year at Harrison High School, I saw a journalism class where students were putting out a weekly newspaper. It touched a responsive chord in me.
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The two great aims of industrialism - replacement of people by technology and concentration of wealth into the hands of a small plutocracy - seem close to fulfillment.
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I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
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I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.
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I talk periodically with the producers at EA and I try to be as honest as possible because as great as EA does, you just don't want to hear good things. These people are really passionate about making games and making them as realistic as possible.
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We want a vernacular in art. No mere verbal or formal agreement, or dead level of uniformity but that comprehensive and harmonizing unity with individual variety which can be developed among people politically and socially free.
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Anything you can do to get more people to come to your live shows is good, because that's where you can really do what you do. Everyone's on the same page, and you don't have to win strangers over as much.
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I started going to acting school when I was 14, and I would always have my own take on things.
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I went to school at night in L.A. to brush up on my engineering while I applied to the astronaut program. I really did not know if I would get in. It was the year after the Challenger accident in 1987.
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People may not know this about me, but I've always loved cooking. My favorite thing to cook is my mom's spicy spaghetti.
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It's very attractive to people to be a victim. Instead of having to think out the whole situation, about history and your group and what you are doing... if you begin from the point of view of being a victim, you've got it half-made. I mean intellectually.
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I was taught that to create anything you had to believe in failure, simply because you had to be prepared to go through an idea without any fear. Failure, you learned, as I did in art school, to be a wonderful thing. It allowed you to get up in the morning and take the pillow off your head.
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...reports about very innocent people being thrown into detention where they could be held for years without any representation or charges is distressing.
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We used to travel through Alabama a lot and get onto back roads and just marvel at how pretty it was and how nice the people were.
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Kids are like glue: they can bond together, unlikely companions, even when there is little else left to maintain the connection.
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I think there's this essential human desire to have a unified field theory. Everyone is like, 'I want to unlock the single secret to 'Lost.' There isn't any one secret. There is not a unified field theory for 'Lost,' nor do we think there should be, because philosophically, we don't buy into that as a conceit.
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Just the other day I pulled out this old cassette of Ragged Glory and I popped it into my cassette player and I was digging it. They were just a great rock and roll band, one that presents the song ahead of everything else - there's no grand idea or concept behind it.
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You'll probably find most models are incredibly insecure about their bodies.
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How do I remain what is called 'normal'? Because for me it's the natural thing to do, and therefore easier than doing something else.
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I usually hire people who have very exemplary work experience. Where they went to school, or what degree they have, really has no play into the hiring decision.
