Melora Hardin Quotes
Quotes to Explore
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If I'm not putting out music, I'mma be producing for everybody. I got an artist named Mike Slice. He's nice, and he's real good. I'm doing a bunch of production for all the artists in the industry because I'm as much as a producer as I am an artist.
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I like to believe, as a writer, that anybody who isn't a reader yet has just not found the right book.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing.
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It's always been a great survival value for people to believe they belong to a superior tribe. That's just in human relationships.
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Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
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I was probably 21 or 22 years old when I realized the prose that I live by, which is, 'You get what you give.' The more good deeds that you could do in your life, the more fulfilling and enriched your life is going to be. I truly believe that.
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I believe with a lot of support shows, people are very much there to see the headliner. You don't necessarily have their full attention, and some of what we do requires a lot of silence.
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Our empirical criterion for a series of theories is that it should produce new facts. The idea of growth and the concept of empirical character are soldered into one.
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I believe in traditional marriage.
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First thing every morning before you arise say out loud, 'I believe,' three times.
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I just believe in the goodwill of people, the power of people to do something positive.
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I believe that love and laughter can only happen when one person takes the time to think about what would cause the other person to feel good.
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So far as regards their moral character, the Finns have as little cause for reproach as any other people.
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If your character is just out there acting a fool, viewers are gonna say, 'Why am I watching this?' But if he's whispering, 'I don't really want to die,' there's a level of vulnerability cemented in these bad characters.
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You're from the isle of ghosts and, as you know, there are ghosts walking around all over the place over there. Loads of people have seen them, heard a voice or felt the cold temperature. I believe that they are between here and there, that they exist between the fourth and the fifth dimension and that they visit us frequently.
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I believe it would demean Nobel Prizes if they were awarded to research students, except in very exceptional cases.
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One could not have isolated this retrovirus without knowledge of other retroviruses, that's obvious. But I believe we have answered the criteria of isolation.
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Each character has their own challenges. The challenge to doing one scene is your whole history of who you are and your relationships, you only have this one shot.
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The strongest thing that any human being has going is their own integrity and their own heart. As soon as you start veering away from that, the solidity that you need in order to be able to stand up for what you believe in and deliver what's really inside, it's just not going to be there.
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You can write a script, but that's just a starting point as a cartoonist. The heart of the process comes when you start to draw it, and you work out how to lay the page out, how best to tell the story.
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I don't really know what 'starchitect' means. I take it as a pejorative because it means that you're sought-after.
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I really believe that every character comes from the well of the artist.
