Harry Connick, Jr. Quotes
Quotes to Explore
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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I was a fine arts major in college, and a painter for many years. And I found that, like writing, art is very similar.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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We're more interested in someone writing a really great answer that's going to be read by thousands or tens of thousands of people over the next few years as it stays on Quora and as it gets distributed on the Internet.
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Because I find writing painful, I try to get it over with as fast as possible. But I write every day, or I lose the thread.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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Arendt did have a certain snobbishness, though in some of her writing she expressed more democratic attitudes.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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The calls that I have received from President Bush and Vice President Cheney, the fact that there are other people that are suffering every bit as much as I am, and that our whole nation is going through a tragedy together, I think we have to think about those things.
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I didn't have a desk to write 'Red Queen' on, so I got a nice writing desk.
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Some of the best writing I've done, whether I'm shooting a story or thinking of a script, I write it in my head as I'm running. Running literally jogs my brain.
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Whether it's writing songs, being on stage, being interviewed, meeting fans - I just try to be myself, which is kind of exhausting because it almost feels like it never shuts off.
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My grief is that the publishing world, the book writing world is an extraordinary shoddy, dirty, dingy world.
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I didn't have that thing that Michael Bolton did; my star power - my charisma - was not a match to my writing ability.
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I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
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My only close-to-game-plan is to follow good writing. If the writing is in TV or if it's in theater or in film, that's it. It doesn't really matter what the medium is.
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Writing makes you feel better, to get it all out.
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It's not a choice. Either I write or I don't, especially when I'm in a foreign culture. I've lived in London for years, and I must continue my writing and filmmaking. The most important thing for an artist or an author is to continue her work. Languages and settings are the tools but not the first thing.
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I think I'm a narcoleptic. I could sleep on a railway track with a train running over me, in-between the rails.
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I'm really into the love thing. When I relate to my guys in the band, I tell them where it's at, and if I feel like telling somebody that I love them, I do.
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There's some things I can't write about, just terrible personal tragedies.
