Harry Connick, Jr. Quotes
Quotes to Explore
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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I was a fine arts major in college, and a painter for many years. And I found that, like writing, art is very similar.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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We're more interested in someone writing a really great answer that's going to be read by thousands or tens of thousands of people over the next few years as it stays on Quora and as it gets distributed on the Internet.
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Because I find writing painful, I try to get it over with as fast as possible. But I write every day, or I lose the thread.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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Arendt did have a certain snobbishness, though in some of her writing she expressed more democratic attitudes.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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Some of the best writing I've done, whether I'm shooting a story or thinking of a script, I write it in my head as I'm running. Running literally jogs my brain.
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Whether it's writing songs, being on stage, being interviewed, meeting fans - I just try to be myself, which is kind of exhausting because it almost feels like it never shuts off.
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My grief is that the publishing world, the book writing world is an extraordinary shoddy, dirty, dingy world.
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I didn't have that thing that Michael Bolton did; my star power - my charisma - was not a match to my writing ability.
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I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
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My only close-to-game-plan is to follow good writing. If the writing is in TV or if it's in theater or in film, that's it. It doesn't really matter what the medium is.
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Writing makes you feel better, to get it all out.
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My rule of writing is that no one can do what you can do, so jealousy or competitiveness are pointless. I am always happy when one of my sisters has a book published that I get to read.
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My family was always playing with words. It is little wonder that even after I got serious about writing, I've had a hard time getting serious about words.
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Over and over, we begin again.
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Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.
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For most of my life - well, maybe half of my life, but basically until I was in my mid-20s - I wrote stories. From the time I was 5 or 6 until I was 25. And I read a lot of stories during that time.
Curtis Sittenfeld -
I'd always have a sort of automatic urge to share what I'm doing with other people.
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I had rock-star dreams from 8 or 9 almost nonstop. I thought it was going to be like being a god on earth: having as many women as you want whenever you want them, having super powers, being incredibly wealthy, never doing laundry.
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There's some things I can't write about, just terrible personal tragedies.
