Harry Connick, Jr. Quotes
Quotes to Explore
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I've always written songs that were confessional, acoustic, wordy - my writing style matches my personality. The music always has to match the mouth it comes out of.
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I was a fine arts major in college, and a painter for many years. And I found that, like writing, art is very similar.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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We're more interested in someone writing a really great answer that's going to be read by thousands or tens of thousands of people over the next few years as it stays on Quora and as it gets distributed on the Internet.
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Because I find writing painful, I try to get it over with as fast as possible. But I write every day, or I lose the thread.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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Arendt did have a certain snobbishness, though in some of her writing she expressed more democratic attitudes.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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The calls that I have received from President Bush and Vice President Cheney, the fact that there are other people that are suffering every bit as much as I am, and that our whole nation is going through a tragedy together, I think we have to think about those things.
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I didn't have a desk to write 'Red Queen' on, so I got a nice writing desk.
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Some of the best writing I've done, whether I'm shooting a story or thinking of a script, I write it in my head as I'm running. Running literally jogs my brain.
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Whether it's writing songs, being on stage, being interviewed, meeting fans - I just try to be myself, which is kind of exhausting because it almost feels like it never shuts off.
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One of the nice things about writing is you can take essentially painful things in your life and turn them into something that might be useful, or at least entertaining, to somebody else.
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My grief is that the publishing world, the book writing world is an extraordinary shoddy, dirty, dingy world.
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I didn't have that thing that Michael Bolton did; my star power - my charisma - was not a match to my writing ability.
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I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
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My only close-to-game-plan is to follow good writing. If the writing is in TV or if it's in theater or in film, that's it. It doesn't really matter what the medium is.
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I basically have the diet of a 19th-century Irish navy, apart from the litre of stout a day. It's meat and potatoes and bread and cheese: those are my four food groups.
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It is the experiences, the great triumphant joy of living to the fullest extent in which real meaning is found. God it's great to be alive!
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And my father, being a good Swiss puritan, always really insisted that if I was going to be an actor, I shouldn't just be an actor, I should know about the whole process.
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If you ask me, I would love to see works like Sharat Chandra Chatterjee's 'Badi Didi,' Munshi Premchand's 'Nirmala,' and Phanishwar Nath Renu's 'Maila Anchal' come alive on small screen.
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There's some things I can't write about, just terrible personal tragedies.
