Mercedes Ruehl Quotes
In some roles you do that very hard work where, at some point into rehearsals, where all of a sudden it snaps into place. You feel like the soul of this character is now dwelling in you.

Quotes to Explore
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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Character is supreme in life, hence Jesus stood supreme in the supreme thing - so supreme that, when we think of the ideal, we do not add virtue to virtue, but think of Jesus Christ, so that the standard of human life is no longer a code but a character.
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I think things are funny when the character is taking it totally seriously.
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To me the interesting main character is never the one without flaws.
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One is made by all the things around one. There are many things that have made one. For a writer to go around looking for things that have made him is asking for trouble. It's like giving a character to yourself. Can't do it. Can't do it. These things are just there. Is that enough?
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Whether you need to like a character, I don't think that's necessary in order to portray him.
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It's a very strange experience being on set of 'Breaking Bad;' you never know what's coming next for your character. I feel like I don't even know if I'm going to live through the next scene I'm in. It's exciting to work on.
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My girlfriend tells me if I'm doing a movie I'm a roller coaster of emotions all the time, but on 'Boardwalk,' because I've done it for so long and I'm so in tune with the character, she says I'm pretty happy most of the time.
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Integrity is the core of our character. Without integrity, we have a weak foundation upon which to build other Christlike characteristics.
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I've worked very hard to become comfortable with how death works and why it happens. I now know that death isn't out to get me.
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As much as most of the actors were kind of curious to know what their character meant in relation to the script and to the plot, they really were quite happy to be part of the adventure of not knowing.
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For me, the walk of the character is always the first part that I must define for myself.
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Trump considers himself such a virile example of masculinity that he's qualified to serve as the ultimate arbiter of femininity. He relishes judging women on the basis of their looks, which he seems to believe amounts to the sum of their character.
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There's a theory that says that life is based on a competition and the struggle and the fight for survival, and it's interesting because when you look at the fractal character of evolution, it's totally different. It's based on cooperation among the elements in the geometry and not competition.
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I don't think my approach to acting is all necessarily in service of the character. I think, selfishly, I've put it in service of myself, my perspective on the world and helping my life.
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If you're going to make a movie about a character who is a supervillain, it's fantastic to have a core sense of empathy for that character.
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You know what I loved about 'Sideways'? Well, the wine, of course. But it was one of the few movies in which being a writer was realistically depicted. I loved how the Paul Giamatti character tries so ineptly to talk about his book.
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Because I am fascinated by people and what makes them behave the way they do. I think it is one of the most fascinating things in the world.
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Malice is always authentic and sincere.
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'Among Friends' was really well written and had strong characters, and while all the elements were there to make it a great genre film, it also left room for me to put a creative flair on it that wasn't your typical slasher or psychological thriller.
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The hardest thing about adolescence is that everything seems too big. There's no way to get context or perspective, ..... Pain and joy without limits. No one can live like that forever, so experience finally comes to our rescue. We come to know what we can endure, and also that nothing endures.
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In some roles you do that very hard work where, at some point into rehearsals, where all of a sudden it snaps into place. You feel like the soul of this character is now dwelling in you.