Joshua Lederberg Quotes
Quotes to Explore
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I was king of the mountain for a long time, well, I don't want that no more. I like to perform every once in a while for people who want to see me, and cut albums of music that is what I'm really about.
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I still do commercial work as an actor, which I love, because it's very quick, and it definitely pays my bills.
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I was hired because I am Zsa Zsa Gabor, but when I go to work, directors try to force their methods on me. John Huston's intense, precise directions tortured me.
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Maturity - among other things, the unclouded happiness of the child at play, who takes it for granted that he is at one with his play-mates.
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I'm privileged to have had some success, but I've never forgotten what it was like to queue for a half-crown gallery seat for 'Oliver!' which is why I ensure that there are £20 day tickets for 'Miss Saigon' and that the balconies in my theatres are as comfortable as I can possibly make them.
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When I was a kid, of course I wanted to be the fastest, the loudest and the one with the biggest drum set, but obviously my aspirations have changed a bit since then.
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The reality about being economically dependent on someone else usually doesn't work out for women in the end. It's about being an adult and being responsible for your life. Most women have to work, so let's just get on with it.
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We grew up listening to music like that: we grew up on the snap music, grew up off the trap music, grew up on all the South sound.
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You say something, things you would rather forget, and then they are out there. It makes me anxious and I don't know why people are interested in me anyway. If I had my way, I would rather exist in a little hole and not speak to anyone.
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On Career Day in high school, you don't walk around looking for the cartoon guy.
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A critic is a reader who ruminates. Thus, he should have more than one stomach.
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I think that ballads are always something where I can really become one with the audiance.
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I was very fortunate to grow up with parents who love to travel, so I traveled from a young age. My dad's a heart surgeon and goes to conferences all over the world. By the time I was seven, I traveled outside the country for the first time. We went to Paris. The next year, we went to London, and then Brussels.
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I think about making a comeback every single day. I went running, I went training, did that for a few days. But my body couldn't handle it.
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I was born in Bangkok in 1968 and grew up in Southeast Asia with my Thai mom and my American father, who first came to the region to fight in Vietnam and stayed to work assisting refugees.
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What we need is a system of thought - you might even call it a religion - that can bind humans together. A system that would fit the Republic of Chad as well as the United States: a system that would supply our idealistic young people with something to believe in.
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If you've got aspirations to be a manager or coach, obviously coaching your country would be a great honour.
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The rapid proliferation of cell phones in Afghanistan proves that anything that adds value to people's lives spreads like brushfire - and commerce is certainly a force that could add value for Afghanis.
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The Gatsby that I remember reading when I was 15 years old in junior high school was far different from the Gatsby I read as an adult.
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I think most people, no matter what their situation, manage to find joy and comfort in their daily lives. I also think things fall apart.
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I never gave up on that idea, you know, that jazz musicians have the same opportunity as everybody else and that it's what you put on that record that makes the difference whether you sell it or not or are able to get it into people's households.
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People are always surprised to find this out, but the songs that we write, such as 'Winner of a Losing Game' and things like that, tend to be more country than the other stuff that we cut from outside writers.
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I think service is honorable, and that was always inculcated in me.
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I hope I've lived a life of science whose style will encourage younger people.
