Carl Reiner Quotes
A fellow who has a funny bone can learn to hone his skills, but I don't think you can develop a funny bone - you either have it or you don't. And by the way - when you get it, we don't know it.
Quotes to Explore
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Like in every peace process, and especially in Colombia, there all kinds of problems that will come through. Not only is the process by itself very complicated but it has lots of underground complications.
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Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
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Plastic surgery is a postmodern veil.
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The presence and the present of America are a future; our continent is, by its nature, the land which does not exist on its own, but as something which is created and invented.
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We need fundamental change. In the past, national development led to people's happiness but now the link between national growth and improvement in people's lives has been severed.
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My dad was one of four children. His three siblings were female, and he loved and protected them.
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When what we are is what we want to be, that's happiness.
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We talk about these legendary fighters, talk about how they had hundred-something fights, hundred-something victories... but when you look at the history books, I still beat more world champions than any fighter in history.
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Watch your finances like a hawk.
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I don't know if I actually am good at the sight of blood. An accident on the street gets me very, very upset.
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Researchers looked at news programs on major broadcast and cable networks between 2008 and 2012 and found that of those labeled as domestic terrorists, 81% were identifiable as Muslims - this despite the fact that FBI reports from the period studied revealed that only 6% of domestic terrorist suspects were Muslim.
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I have no problem with violence, I have no problem playing horrible people.
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Most of my stuff, I never really watch.
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Everyone teases me in the family that I spend far too long chatting. So I think I've still got to learn a little bit more and to pick up a few more tips, I suppose.
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One of the first major storylines that 'All My Children' featured was Erica Kane, a rebellious daughter, and her mother, sort of a matriarchal type, who was trying to guide her daughter to a safer place.
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When I was very young I was the ugly duckling. I had a lot of complexes. My sister was wonderful and I was nothing.
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What I do, basically, is look at things from different angles. That is what I do on stage comedically, and that is what I do in art. I was always fascinated by the structure of things, why things work this way and not that way. So I like to see how things behave if you change the point of view.
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If you're a writer, write. You just keep writing. And if you're a filmmaker, you keep doing what you can to keep telling your stories; you don't stay on the one. Keep moving forward and doing what you can to tell whatever story you can tell, be it via writing, be it via filming it.
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I was very conscious of the actor; watched what he did.
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Like a lot of Irish households we read a lot of Irish history. It was almost Soviet, raising the next generation with a mythic view of their history.
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For me, the comedies that truly work are the ones that are grounded in some way. If it's all heightened, it's really hard. It's a little slippery. It's hard to get purchase on the side of the wall.
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A fellow who has a funny bone can learn to hone his skills, but I don't think you can develop a funny bone - you either have it or you don't. And by the way - when you get it, we don't know it.
