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I was surprised by my daughter's generation and how they were rebelling against the '70s idea that sex was perfect and it should be sought.
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I don't cook. My mother didn't cook. My daughter doesn't cook.
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I myself hate that old Hemingwayesque paradigm of the writer as prizefighter and I have tried hard to create an alternate one for myself. When Anne Sexton admonished me, "We are all writing God's poem," I took it to mean there should be no competition between writers because we are all involved in a common project, a common prayer. But to Gore's and Norman's generation, particularly those male writers who served in the second world war, the prizefighter paradigm remains.
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Henry Miller was such a scribomaniac that even when he lived in the same house as Lawrence Durrell they often exchanged letters. For most of his life, Henry wrote literally dozens of letters a day to people he could have easily engaged in conversation - and did. The writing process, in short, was essential. As it is to all real writers, writing was life and breath to him. He put out words as a tree puts out leaves.
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If you apologize for something that isn't your fault in the first place, you, in effect, confirm their belief that it is your fault.
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It is a sad paradox that when male authors impersonate women ... they are said to be dealing with 'cosmic, major concerns' - but when we impersonate ourselves we are said to be writing 'women's fiction' or 'women's poetry.
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Souls have neither Sex nor Colour.
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Men and women, women and men. It will never work.
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Great loves have legs and wings. They are substantial. They do not dissapate so easily... Great loves have staying power. Or so I told myself.
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I have a very sensitive nose. I identify with dogs. I understand the world through my nose.
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Mediocre prose might be read as an escape, might be spoken on television by actors, or mouthed in movies. But mediocre poetry did not exist at all. If poetry wasn't good, it wasn't poetry. It was that simple.
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Everyone's a little crazy when you get inside their head... it's only a matter of degree.
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Many, many people have done a lot more sexual experimentation than I have.
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The aim of my writing is to utterly remove the distance between author and reader so that the book becomes a sort of semipermeable membrane through which feelings, ideas, nutrients pass.
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The soul is awakened through service.
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A poem (surely someone has said this before) is a one-night stand, a short story a love affair, and a novel a marriage.
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There is still the feeling that women's writing is a lesser class of writing, that what goes on in the nursery or the bedroom is not as important as what goes on in the battlefield, that what women know about is a less category of knowledge.
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As a reader, I want a book to kidnap me into its world. Its world must make my so-called real world seem flimsy. Its world must lure me to return. When I close the book, I should feel bereft.
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Friends love misery... our misery is what endears us to our friends.
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It's easier to write about pain than about joy. Joy is wordless.
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Why do analysts always answer a question with a question?
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We've lost more men to homosexuality than we ever did in two world wars.
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Love is love, but marriage is an investment.
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The greatest feminists have also been the greatest lovers. I'm thinking not only of Mary Wollstonecraft and her daughter Mary Shelley, but of Anais Nin, Edna St. Vincent Millay, and of course Sappho. You cannot divide creative juices from human juices. And as long as juicy women are equated with bad women, we will err on the side of being bad.