Erik Larson Quotes
To me, writing is a very physical process. I lay out the entire book with the two narratives side by side on my bedroom floor, and just get down on my hands and knees and start looking at it in that physical space. "Does this really follow from this? Should this be here or elsewhere?" I will literally cut the paper into paragraphs. I'll cut it into segments and move the segments around from one narrative to the other until I feel that I've found the natural structure.
Quotes to Explore
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To be honest, I think that I am a bit of a singer, coming from Wales; being Welsh, we are all very proud of our singing heritage.
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Stillness of person and steadiness of features are signal marks of good breeding.
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I've been accused of wanting to allow terrorists to have weapons to attack America.
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I still audition a lot and work really hard to get work. So I don't really walk around feeling like I've made it. My short term goals are really just to be creatively stimulated and to be excited about material I might be working on.
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I don't like to post fresh standup material, because I want to use it in a special. The stuff I like to post online I like to be off-the-cuff moments.
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America is huge.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
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My workouts include aerobic exercise for a healthy cardiovascular system; strength training to maintain muscle tone and bone density; core strength exercise for a stable mid-section; and stretching to maintain mobility.
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I personally don't even try to compare New York and L.A. To me, they are just way too different.
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Time will tell how you rate against the rest of the competition. I'll let everyone else worry about championships. I'm going to worry about qualifying at Pomona.
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Hope is not a resting place but a starting point - a cactus, not a cushion.
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I just feel energized when I am around young, talented people. There is something about these kids that's amazing. I learn as much from them as they do from me.
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In spite of all temptations of belonging to many nations, I've remained an Indian.
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History will treat me right.
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True artists are prophets. I don't want to be that prophetic in that sense because it's so lonely.
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It wasn't a deliberate decision to become a poet. It was something I found myself doing - and loving. Language became an addiction.
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Men are more easily governed through their vices than through their virtues.
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I was raised Catholic, but my father's people were Methodist, so we went to both churches.
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At times, we take freedom for granted. We really don't know how to cherish the freedom we have until it's taken from us.
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It's fashionable to think that the conservative parties in America are the science deniers. You certainly wouldn't have trouble supporting that claim. But liberals are not exempt.
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I sometimes have to write for a while before I figure it out, pretend that I know what I'm doing, sort of like ad-libbing on stage until you remember your line - you hope you sound convincing to the audience. The key is to have enough material, enough threads, so that there's something that can be satisfyingly drawn to a conclusion.
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In a New York Post interview, Judy Blume, author of young-adult fiction, gave this advice on getting your kids to read: "Moms come up to me at book signings and describe how they're telling their daughters, 'These were my favorite books,'?" she says. "I say, 'Quit it! That's the biggest turnoff!'"You want to get them to read them, leave them around the house and every so often, say, 'You're not ready to read this yet.'
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To me, writing is a very physical process. I lay out the entire book with the two narratives side by side on my bedroom floor, and just get down on my hands and knees and start looking at it in that physical space. "Does this really follow from this? Should this be here or elsewhere?" I will literally cut the paper into paragraphs. I'll cut it into segments and move the segments around from one narrative to the other until I feel that I've found the natural structure.
