Erik Larson Quotes
To me, writing is a very physical process. I lay out the entire book with the two narratives side by side on my bedroom floor, and just get down on my hands and knees and start looking at it in that physical space. "Does this really follow from this? Should this be here or elsewhere?" I will literally cut the paper into paragraphs. I'll cut it into segments and move the segments around from one narrative to the other until I feel that I've found the natural structure.
Quotes to Explore
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When I was, like, 16, I went in to the head of Disney, and I hadn't taken acting class really at all, and I didn't know what I was doing, and it was really embarrassing. Of course, you think Disney wants over-the-top and funny, and I was just trying to be over-the-top and funny, and it just wasn't working, and that was the worst.
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To be honest, I think that I am a bit of a singer, coming from Wales; being Welsh, we are all very proud of our singing heritage.
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Stillness of person and steadiness of features are signal marks of good breeding.
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I pinch myself daily at the good fortune of my life, you know, in many ways.
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I've been accused of wanting to allow terrorists to have weapons to attack America.
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I still audition a lot and work really hard to get work. So I don't really walk around feeling like I've made it. My short term goals are really just to be creatively stimulated and to be excited about material I might be working on.
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I don't like to post fresh standup material, because I want to use it in a special. The stuff I like to post online I like to be off-the-cuff moments.
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America is huge.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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The thing I find really scary about ghosts and demons is that you don't really know what they are or where they are. They're not very well understood. You don't know what they want from you. So it's the kind of thing you don't even know how to defend yourself against. Anything that's unknown and mysterious is very scary.
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My workouts include aerobic exercise for a healthy cardiovascular system; strength training to maintain muscle tone and bone density; core strength exercise for a stable mid-section; and stretching to maintain mobility.
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I personally don't even try to compare New York and L.A. To me, they are just way too different.
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Time will tell how you rate against the rest of the competition. I'll let everyone else worry about championships. I'm going to worry about qualifying at Pomona.
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Hope is not a resting place but a starting point - a cactus, not a cushion.
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I just feel energized when I am around young, talented people. There is something about these kids that's amazing. I learn as much from them as they do from me.
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In spite of all temptations of belonging to many nations, I've remained an Indian.
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History will treat me right.
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True artists are prophets. I don't want to be that prophetic in that sense because it's so lonely.
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My memories pale as I prevail upon them again and again. They become more and more ghostly. I fear nothing so much as losing them altogether and having only my blank endless mind to live in.
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We should be writing more great roles for women, period. Another problem is that movies are generally made for 14-year-old boys, and 14-year-old boys want to watch 25-year-old action heroes.
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The first is that instead of writing a sequel, which is what most people do, this is in fact a prequel. Although we didn't know that when we began the process.
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Creative writing and shooting are muscles that atrophy. But when you work them, you become a self-generator who can branch out.
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To me, writing is a very physical process. I lay out the entire book with the two narratives side by side on my bedroom floor, and just get down on my hands and knees and start looking at it in that physical space. "Does this really follow from this? Should this be here or elsewhere?" I will literally cut the paper into paragraphs. I'll cut it into segments and move the segments around from one narrative to the other until I feel that I've found the natural structure.
