Judd Apatow Quotes
Quotes to Explore
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Truth be told, actually, my favorite director of the Movie Brats was not Scorsese. Loved him. But my favorite director of the Movie Brats was Brian de Palma. I actually met De Palma right after I'd done 'Reservoir Dogs,' and I was very beside myself.
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The journey of your first movie is not just beyond belief it can be truly beyond satire.
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You have to remember I've been working with adults since I was 12 - they were my peers, and it has an effect, for sure.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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Dylan, myself and my father were in a two hour movie called The Sand Kings, which started off the Outer Limits series. It was sort of the two hour pilot movie.
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I don't have a problem with my body. I don't diet, and I'm not hiding anything. I'm not going to be the subject of a movie of the week 10 years from now.
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I feel like the American years were my apprenticeship for doing a Bond movie.
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The fact is that you're never gonna believe any of the reviews, because the movie is to you what it is to you. No one's ever gonna sway you from what you feel about it.
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Myself and David, we both love art. We have a lot of respect for Damien Hirst and Julian Schnabel, and we've met them both, and they're very interesting characters. I also have a lot of respect for the working women out there. As you know, it's not easy when you're looking after children and you have a career as well.
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We do recognise that there are areas where the current financial services market, the banking market, just isn't working for chunks of the British economy.
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I literally hate working out.
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I think making a movie or a record, the best things happen by accident - and those end up being the magic. Every time I've followed my gut it's been better than when I've tried to do what I was supposed to do.
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I started to do theater when I was a little boy at school, and then, I think because my father was a documentary filmmaker and worked for German television, I was of course fascinated by what he did. Then when I was around 15, I did my first movie.
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Great music is its own movie, already. And the challenge, as a music fan, is to keep the song as powerful as it wants to be, to not tamper with it and to somehow give it a home.
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To make a movie about someone who is thinking and writing is scary. There's no big love story, no action, no drama. It's not an easy task.
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They can't make any of these talented young actors Fletch. You might as well make a movie called Chevy Chase.
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When a movie is called 'searingly honest,' it's almost invariably grim and demonstrates how bad things can get.
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What I like about the third movie is you get to see a side of Carlisle you haven't seen before. You actually get to see what his vampire capabilities are because there's some great battle sequences. It's my favorite book. Carlisle is holding on to that humanity. He doesn't want to be a vampire.
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In this day and age, you need a lot of patience if you are in the movie business.
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It is too often forgotten that the gift of speech, so centrally employed, has been elaborated as much for the purpose of concealing thought by dissimulation and lying as for the purpose of elucidating and communicating thought.
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Together, we must all remember that one of the most effective responses to hate speech is more speech.
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I connect with all of the characters in my films. That's what makes you want to make a film, that you can enter the mindset, the situation, the conflict, the contradictions.
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I just hate meetings. Though it's true that once you've made a lot of money, people around you might be full of ideas about ways to make lots more money and might be disappointed that you don't want to seize every opportunity to do so.
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If the movie's not communicating, it's not working.
