Judith Krantz Quotes
My work caused me to interview hundreds of women about their lives and their problems.
Quotes to Explore
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I needed to really pursue music and learn what I needed to learn on my own by getting in and doing it, not by reading a book about it.
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I would like to see America some day.
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What keeps me up at night is poverty and unemployment.
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The Islamist ideology took decades to incubate within our communities, and it will take decades to debunk.
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And I'm not an actress. I don't think I am an actress. I think I've created a brand and a business.
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John Sayles is good. He's like a good thoroughbred owner - he leaves the trainers alone.
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I do think one should have clean feet.
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Trials by the adversarial contest must in time go the way of the ancient trial by battle and blood.
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It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
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There's this label called Neurotica by these sweet girls that have given me some lovely things to wear, and we might collaborate on making a little piece. They're really lovely, and I think they've been quite inspired by me in turn.
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I can write best in the silence and solitude of the night, when everyone has retired.
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I embrace my blackness, just as I do my conservatism and my Christianity, but I don't want to be defined or pigeonholed by any one of the many elements that make up my character.
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There are so many stories from the Midwest that should be told. L.A. tells one story, and it's often about itself.
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It's so easy to look foolish online.
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It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
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I've actually had a copilot come out of the cockpit on a trip from L.A. to New York and ask me about Charles Manson.
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I don't think I'm better than everyone else at anything, but I am very quick at organizing a big mass of interview tape into a structure.
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To find a form that accommodates the mess, that is the task of the artist now.
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Guys like Spielberg and Zemeckis and really anybody who is a storyteller-filmmaker today has studied Hitchcock and the way he visually tells a story. He was the master of suspense, certainly, but visually you would get a lot of information from what he would do with the camera and what he would allow you to see as the story was unfolding.
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I think it's doing very well. I'm pleased to see the concentration on semiconductors. I think this will help.
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But it has also enabled me to find my feet as a lecturer and a reader of my own plays to audiences who like to hear them; and that experience of immediate appreciation gives greater pleasure and more stimulus towards further activity than even the most laudatory of reviews.
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My style is constantly evolving. Style has been something that I think has been the hardest thing for me to come to terms with.
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When you sing R&B songs in front of an audience, you look out and there's 85% women. I think R&B music is sort of designed for a man singing to a woman. I don't sing it like the sexy thing, but sort of pseudo-sexy. We rally the women together because it's about being independent and things like that.
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My work caused me to interview hundreds of women about their lives and their problems.
