Judith Rossner Quotes
Quotes to Explore
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My first Comic-Con was when I first met Joss Whedon: He introduced me to that world and I'd never been to a convention before that. He and a bunch of the 'Buffy' and 'Angel' writers were all going down in a big van and he invited me along.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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When I went from being an academic to being a member of the community of writers some of my former colleagues did look on me with a certain resentment.
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Writers are not meant for action.
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I love writers all across the board, but one who influenced me very directly at the beginning was Mary Renault.
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Writers are essential. Readers are essential. Publishers are not.
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I love thriller writers. My favourites are Harlan Coban, Lee Child, Ian Rankin, Kathy Reichs and Ed McBain.
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My sensibility steers me toward writers who are out on their own.
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All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
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I do think Austin is a great town for writers; we have a lot of them here. But I grew up in Austin, and so I didn't move here because it was a creative mecca; I was just lucky to live here.
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It's all about who's where on the food chain. When I'm the story editor, I expect my writers to follow my vision. When I'm working for another editor, I'm obliged to follow their vision.
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I enjoy writing, sometimes; I think that most writers will tell you about the agony of writing more than the joy of writing, but writing is what I was meant to do.
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I don't have any real "process." Some people in Nashville go in like an assembly line. They're able to go and write. My son runs a publishing company. He has writers that come down. They get together in a room with the people that actually make appointments, and write - which is great. I can't do that very well.
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But I account the use that a man should seek of the publishing of his own writings before his death, to be but an untimely anticipation of that which is proper to follow a man, and not to go along with him.
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I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.
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I've imparted that philosophy to the writers, but some of them look stuff up while some don't. Same with the editors, directors and actors. To each their own.
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The journalist should be on his guard against publishing what is false in taste or exceptionable in morals.
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The most 'popular,' the most 'successful' writers among us (for a brief period, at least) are, 99 times out of a hundred, persons of mere effrontery-in a word, busy-bodies, toadies, quacks.
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Most writers - poets in especial - prefer having it understood that they compose by a species of fine frenzy - an ecstatic intuition - and would positively shudder at letting the public take a peep behind the scenes.
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We live in a time when writers do not always have barriers around them.
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Good writers are of necessity rare.
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Smarter is always the answer.
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Having money is a way of being free of money.
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Writers are the lunatic fringe of publishing.
