Judith Tarr Quotes
I like going back in time and writing historical fantasy. I use some real historical characters as a background to give depth to the fantasy. And I throw my fictional characters into the midst of this, and, so far, it has turned out interesting.
Quotes to Explore
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I keep returning to the central question facing over-50 women as we move into our Second Adulthood. What are our goals for this stage in our lives?
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I come from a poor family, I have seen poverty. The poor need respect, and it begins with cleanliness.
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Increase of material comforts, it may be generally laid down, does not in any way whatsoever conduce to moral growth.
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There is a luxury in self-reproach. When we blame ourselves we feel no one else has a right to blame us.
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When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
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A book is a version of the world. If you do not like it, ignore it; or offer your own version in return.
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You take the good with the bad and try not to listen to everything said about you because you know it's not good.
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Now children as young as nine carry AK47s which can kill 30 people in seconds.
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That is the exciting thing: I don't know what God has given me for tomorrow.
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Let us take our children seriously! Everything else follows from this... only the best is good enough for a child.
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An expectation is a future object, recognised as belonging to me.
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Muslims are ordinary members of the working public, just like you.
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In prose, you have a lot more room for digression, for very meaty kinds of dialogues. In graphic novels, you're writing haiku-length dialogue. Your job is to be efficient, to get out of the way of the art.
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You have to do things right to stay in business, and that's not easy, and that's a choice on a daily basis, the choices you make in how to run your business and how to have a point of differentiation and how to be true to your brand, how to offer something that people want and to offer something that you love.
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A friend of mine at the American Enterprise Institute says there are two parties: the silly party and the stupid party. I'm too old for the silly party, so I had to join the stupid party.
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What I'm interested in is human beings alone.
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In Iceland, you can see the contours of the mountains wherever you go, and the swell of the hills, and always beyond that the horizon. And there's this strange thing: you're never sort of hidden; you always feel exposed in that landscape. But it makes it very beautiful as well.
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I like things that make you grit your teeth. I like tucking my chin in and sort of leading into the storm. I like that feeling. I like it a lot.
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It's healthy to have interests besides books.
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The end of secrecy would be the end of the novel - especially the English novel. The English novel requires social secrecy, personal secrecy.
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Yet if strict criticism should till frown on our method, let candor and good humor forgive what is done to the best of our judgment, for the sake of perspicuity in the story and the delight and entertainment of our candid reader.
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I went to Ferguson and walked with the demonstrators and saw this heavily armed police force, tactical units pointing sniper rifles at my constituents who were there exercising their constitutional rights.
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I like going back in time and writing historical fantasy. I use some real historical characters as a background to give depth to the fantasy. And I throw my fictional characters into the midst of this, and, so far, it has turned out interesting.
