Judy Garland Quotes
Quotes to Explore
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Audiences aren't going to get rid of me. One thing I can say, with absolute certainty, is that my shows will still be performed when I'm dead, buried and forgotten. They're going to absolutely outlive me, which is a wonderful thing to think about.
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Audiences are quite happy to be astonished, and they don't care who does that astonishing.
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To have great poets, there must be great audiences.
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When I perform in front of large audiences, I'm much more comfortable, because I've already performed in front of tiny audiences - which is much harder, honestly. The smaller you strip things down, the more you depend on the songs and yourself, as opposed to arrangements.
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I really feel that's part of why audiences go to movies now is to take you to a world you have no access to, whether it's the world of Avengers or Middle-earth or bars in Boston you would be afraid to go into. You see characters there - they aren't hobbits but they're close.
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Audiences will get just as tired of people wrestling on a bed as they did of Tom Mix kissing his horse.
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Popularity matters a lot, as at the end of the day, the love of your audiences can make you win.
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There are often multiple sources for some famous statements by King; as a professional speaker and minister he used some significant phrases with only slight variation many times in his essays, books, and his speeches to different audiences.
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I like to see writers reach bigger and bigger audiences, and stand-alones have allowed some of them to do just that.
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You look around our audiences, and you see the spectrum - old fans and young people.
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Playing to bigger audiences at festivals got me in the mindset of writing music that I would sing to a crowd.
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Audiences are harder to please if you're just giving them effects, but they're easy to please if it's a good story.
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Whatever affect any of my films have on audiences, I just kind of stop at the door. I make them and I just don't go outside after they're over.
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Audiences have kept me alive.
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I struggle on many fronts on having to move to a different level, having to cater to constantly evolving audiences.
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The point of view foreigners will have of the film The Conquest isn't the same as the French public. What will interest American and international audiences is the love story between Nicolas and Cecelia that's a metaphor of today's occidental couple, namely the women in the shadows who carry their husbands into the spotlight, but the man is so absorbed with work so the woman leaves him for another man.
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Australians just don't see that many Australian films, but it's also our responsibility as filmmakers and the responsibility of the funding bodies to remember that audiences want to be entertained, and people are entertained in lots of different ways.
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Audiences tend to get the performances they deserve.
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We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited.
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The thing I do, really, is a communication with audiences more than any achievement through records.
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One of George H. W. Bush's early teachers at Andover wrote, "At the moment he is intellectually immature for his powers of reasoning are not entirely developed.
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Oh, people will think what they think!...Don't ever choose the people who don't matter over the ones who do.
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Perhaps the individual is so viable a god because he can actually understand the ceremonial significance of the way he is treated, and quite on his own can respond dramatically to what is proffered him. In contacts between such deities there is no need for middlemen; each of these gods is able to serve as his own priest.
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I've been in love with audiences all my life, and I've tried to please. I hope I did.
