Ethan Slater Quotes
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I've always been somebody who sort of throws himself, you could say, obsessively into whatever thing I'm passionate about.
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Tom Kenny is awesome.
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I would say that SpongeBob, at his core, is this optimistic, loving best friend. Getting to play him every day has sort of rubbed off on me and improved my life.
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When I'm in the audience of Broadway shows, I feel like I'm in the presence of something really special with artists working at the height of their craft and doing the best work that they possibly can.
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Playing SpongeBob is freeing. There is something intrinsically about him that people identify with no matter their age.
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I feel very proud of everyone I've worked with on 'SpongeBob' because they're all brilliant artists working at the top of their game to make something really special, and I think audiences feel that.
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I was a wrestler in high school, and that was a pretty big part of my life.
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One of the things I've found about SpongeBob's movement style is that, in addition to being animated and sort of stretching and squeezing, he's really based on the classic silent comedians, physical comedians.
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I would say I'm the normal level of 'SpongeBob' fan, which is that it's been out since I was a kid, and it's part of the zeitgeist.
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The only reason to do a 'SpongeBob' on Broadway is if it's gonna bring something new to the brand, something new to 'SpongeBob,' and also something innovative to theater and to Broadway.
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In my senior year of high school, I was doing a dance with a bunch of friends for the talent show, and my pants split entirely in half. It was incredible.
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Physical comedy and musical theatre were never actually in my main focus at school. I was more of a dramatic actor. I always thought I was better at that.
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I look a lot like my mom. I'm the only one of my siblings with red hair, and she had bright red hair. I always have felt incredibly connected to her.
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Wrestling is a small, intimate sport.
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SpongeBob's voice is really pingy and forward and nasally. The problem is, if you live in the extreme of that for more than 10 minutes, it can be a little grating, and it can be hard on your voice. Also, it gets in the way of the acting to be forcing your voice into this place.
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I've gotten to meet Sara Bareilles a couple of times. I'm just a such a massive fan of hers, from her albums to 'Waitress' to everything that she does. To be a fan of somebody and then find out that they have a good heart and are kind is really heartwarming.
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The process of finding my voice as SpongeBob was to start by watching what Tom Kenny did, trying to do an impression of sorts, and then forgetting all about it and letting the voice become a second-nature thing.
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I've always loved the Marx brothers and Charlie Chaplin.
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Making my Broadway debut was, in and of itself, just a dream come true. I've wanted to be on Broadway forever.
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I'm used to working hard and making sacrifices.
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The whole cast and creative team were definitely aware of the 'This is the death of Broadway!' kind of thing about 'SpongeBob,' but we've been really ready to change people's minds. I'm really proud of being part of something that took the most creative route to a commercial entity.
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The more you see somebody else's version of something, the harder it is to make it your own.
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We're all sort of aware what 'SpongeBob the Musical' could be in the hands of the wrong people.
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When the show starts, I am in my SpongeBob stance, and I walk like SpongeBob, and the first step that I take, I am SpongeBob.