Steven Spielberg Quotes
Audiences are harder to please if you're just giving them effects, but they're easy to please if it's a good story.
Quotes to Explore
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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What I'm trying to do is to write a story. If you take something from it, that's wonderful; if you don't, that's wonderful as well.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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Every story I create, creates me. I write to create myself.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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With a mini series you can give the story a proper sense of pacing, a proper sense of closure.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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I love the Spider-Man story. I watched the cartoon on TV when I was a kid, and my brother wore his Spider-Man pyjamas everywhere.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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Audiences aren't going to get rid of me. One thing I can say, with absolute certainty, is that my shows will still be performed when I'm dead, buried and forgotten. They're going to absolutely outlive me, which is a wonderful thing to think about.
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Moviewise, I would love to make the story of princess Erendira. She was a 16 year old princess/warrior who led her tribe in war against the Spanish around 1513. She almost defeated them, and the Tarascans were the only tribe the Aztecs couldn't defeat.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.
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A news organization has a much different responsibility. I might not be telling you the whole story. I might not be telling you a story in a manner that is properly sophisticated.
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I love traveling. But I haven't had big, transformative experiences while on the road. When I go out on the road, it's to go out and get a story or do a promotional event.
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As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
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The intelligence community really is a vast bureaucratic entity, and it has been politicized in ways that are not effective for the gathering of intelligence and giving it to senior policymakers.
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A doctor does not ask about political views and opinions - that is how I understand my role.
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My biggest extravagances are also investments. I have several houses in California, a house in Nashville, an office complex, and I bought the old home place in Tennessee. They are different places for me to write, but I can turn right around and sell them.
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The truth doesn't hurt unless it ought to.
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Audiences are harder to please if you're just giving them effects, but they're easy to please if it's a good story.
