Victoria Aveyard Quotes
I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
Quotes to Explore
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It is so hard to make important decisions that we have a great urge to reduce them to rules.
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I'm not a character like Rapunzel or Cinderella; my story looks like any other.
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I think with girlfriends, you always want your girlfriends to make the decisions for themselves, not based on a boy, not based on anything other than, 'Is this what you want?' Is this you know what you want to do?' And that's real support to me.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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If a decision-making process is flawed and dysfunctional, decisions will go awry.
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It's much easier for me to make major life, multi-million dollar decisions, than it is to decide on a carpet for my front porch. That's the truth.
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What I'm trying to do is to write a story. If you take something from it, that's wonderful; if you don't, that's wonderful as well.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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I want to say that maybe I've made some wrong decisions, but I'm still an honorable person, and I intend to take care of all of my obligations.
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People will turn their noses up at a sequel or that type of thing, but Pixar really works hard - if they're making a sequel - to make a sequel an original movie, to make it an original story.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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In every movie I do have a dialogue.
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I never want to write a book just to tell a story. There is always something deeper going on.
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Human life--that appeared to him the one thing worth investigating. Compared to it there was nothing else of any value. It was true that as one watched life in its curious crucible of pain and pleasure, one could not wear over one's face a mask of glass, nor keep the sulphurous fumes from troubling the brain and making the imagination turbid with monstrous fancies and misshapen dreams.
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The very word possibility creates a mental climate conducive to creativity.
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Sometimes it seems to me that the purpose of life is to convert energy into beauty. And I know that's not rationally true. But sometimes it's okay for things not to be rationally true.
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Like a lot of people, I love a bit of blood and gore.
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I got Robbie's mobile number and rang him. It went to his voicemail: 'Hi, it's Robbie - whazzup!' Like the Budweiser ad. I never called him back. I thought: 'I can't be f****** signing that'.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
