Judy Greer (Judith Therese Evans) Quotes
Quotes to Explore
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I never did a dirty armpit. You can look dirty, but you can't be dirty.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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When the peace treaty is signed, the war isn't over for the veterans, or the family. It's just starting.
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If I was to go to sleep before midnight, I would feel weird about myself, like I wasted a day. My most productive hours are between midnight and five.
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Improv relies just as much on listening as it does you delivering dialogue. That's the hard for some people. Some people just concentrate on what they're going to say, and they're not listening. You have to listen in order to see where the other person is going to.
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When you're young, you're stupid.
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Video games and YouTube.com are creatively booming, even though Web design, as demonstrated by the ugly clutter of most major news sites, is in the pits.
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Why are numbers so important? I take up a film I like, give it my best, and move on.
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A pulp story without a detective and, obviously, somebody for him to do battle with is unthinkable, and I can't remember reading a pulp story that didn't have a dame - either a good girl or a bad girl.
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I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.
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I'm marriable. But I'm not married.
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And I have exposed myself to art so that my work has something beyond just the usual potter.
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I've been sent lots of lovely gifts - everything from candy and peanut butter to hand-made quilts, pictures, and clothing. I was once sent a crate of avocados. Fortunately, I love them.
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All I ever wanted really, and continue to want out of life, is to give 100 percent to whatever I'm doing and to be committed to whatever I'm doing and then let the results speak for themselves. Also to never take myself or people for granted and always be thankful and grateful to the people who helped me.
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I learned that if you want to make it bad enough, no matter how bad it is, you can make it.
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I'm a big believer you should design work around a vast majority of people who want to do the right thing rather than around the tiny minority who might take advantage.
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The amount of good luck coming your way depends on your willingness to act.
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When I decided to work with Krishna Vamsi, people around me were apprehensive about my decision. They warned me that I shouldn't work with an unsuccessful director.
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In like a dimwit, out like a light.
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Shortly after my Ph.D., Alfred Kastler urged me to accept a teaching position at the University of Paris. I followed his advice and started to teach at the undergraduate level.
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'Secret' is about intimacy between two people and the connection you have with someone that goes beyond words.
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I wrote these words for everyone who struggles in their youth. Who won't accept deception instead of what is truth. It seems we lose the game, before we even start to play. Who made these rules? We're so confused. Easily led astray.
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When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape.
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I am an actress - I am paid to verbalize other people's words, not create my own.
