C. S. Lewis Quotes
'The Lion' all began with a picture of a faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself, 'Let's try to make a story about it.'
Quotes to Explore
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I've been writing music since 4th grade, and I love putting words together and expressing things in a way that you can move your head to and you can really relate to, because I have a lot to say.
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It wouldn't be fair to drag a child round the world, touring.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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When people embrace character, there's latzie. It's the stuffing of a scene that's not written. It's not in the stage direction and it's not in the words. When people embrace character, it informs their living, breathing moments in a scene so well.
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I don't think I'm as educated as Whoopi, so I'm lifting myself to her level. But you know, our view of the world, our view of what we can do, our sense of what it means to be here, are similar.
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I have a personal ambition to live my life honestly and honor the true love that I've had and also the people I've had around me.
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I'm not much of a jokester.
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I get over-excited by every opportunity that comes my way. I end up doing too much.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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He who gives love, receives love.
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There's one thing that I like about Rome that was stated by Napoleon: that from sublime to pathetic is only one step away. And in Rome there's a constant shifting between sublime and pathetic.
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If you've got a big gut and you start doing sit-ups, you are going to get bigger because you build up the muscle. You've got to get rid of that fat! How do you get rid of fat? By changing your diet.
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Issues are never simple. One thing I'm proud of is that very rarely will you hear me simplify the issues.
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You gotta improvise in life. You gotta improv if the police pull you over.
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Conversion for me was not a Damascus Road experience. I slowly moved into an intellectual acceptance of what my intuition had always known.
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I'll tell you one thing: Don't ever give anybody your best advice, because they're not going to follow it.
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There are moments when I am really not happy with how I look, or I think it would be an easy way out to try and do the conventionally attractive thing. But part of it is that I don't have the energy to put on, like, makeup. If people want to do that, that's fine. But I've learned that it's not for me.
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The world is not black and white; there are lots of shades of grey. There are good things and bad things in every era, and I think it's kind of very blindfolded to say one era was wonderful, as it was wonderful, but there were a lot of bad things as well.
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I ran into my old friend Michael Kenneth Williams, who I worked with on a show called 'The Philanthropist' for NBC. He was going to be doing this show called 'Hap and Leonard.' He was playing Leonard, and they were looking for somebody to play Hap.
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I've taught myself how to use good, fresh ingredients and to prepare them as simply as possible by cooking only to enhance their intrinsic flavors.
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I didn't find out about the Paralympics until I was 18 years old. Once I found out what the Paralympics were, I was so excited to know I had a chance to represent my country and wear Team U.S.A. on my back.
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I've started painting much more freely, and faster. I think it's working in the theatre that did it. You know what the Glyndebourne scene-painters said about my The Magic Flute? They said they had to wear sunglasses to paint it.
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'The Lion' all began with a picture of a faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself, 'Let's try to make a story about it.'
