Valeria Golino Quotes
There's no big splashy renaissance in Italian films. We have good young actors and directors. What we lack are screenwriters. It's hard to write about Italy.
Quotes to Explore
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Woodstock had a tremendous impact on American artistic life.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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No matter what message you are about to deliver somewhere, whether it is holding out a hand of friendship, or making clear that you disapprove of something, is the fact that the person sitting across the table is a human being, so the goal is to always establish common ground.
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I like to have fun, but I don't think of myself as being funny. But I'm a big jokester, so I make fun of myself a lot!
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It's something you dream about, working in Scotland, working in Glasgow, walking down the same streets I used to walk down when I was a drama student, daydreaming about being in an American TV show or doing something that was well known. I guess I sort of pinch myself.
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I kind of went into soap opera with 'General Hospital' in the '80s. It's like theater because every day it's a new script, which really doesn't have a beginning, middle or end like a play or a movie script. So you have to be on your toes and bring it every day. And you have to be spontaneous, which is really how I like to work.
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You have to really prove yourself to young people, and if your answer is clear and consistent and loving - even if it's angry and disappointed - what's important is that you're being real and honest and not going anywhere.
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In terms of 'Seinfeld', I think there's lot of reality in a show that's supposed to be about nothing.
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As more ad spending shifts online, the ability to have expertise and to innovate quickly will become critical.
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What we did ten years ago with the Playstation was a phenomenal success story for the company. That product had a ten year life cycle, which has never been done in this industry.
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You can oppose reparations all you want, but you got to know the facts. You really, really do.
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I maintain music is not here to make us forget about life. It's also here to teach us about life: the fact that everything starts and ends, the fact that every sound is in danger of disappearing, the fact that everything is connected - the fact that we live and we die.
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The entirety of 'Bellocq's Ophelia' was a project, and I was interested in doing research and looking at photographs and writing about them, imagining this woman Ophelia and what her life was like and the kinds of things she thought about.
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People trash talk me.
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Seemed like everything I tried to do in broadcasting and as a player before that turned out successfully. I was succeeding. I got to the top of the heap in every facet of broadcasting.
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Growing up, my dolls were doctors and on secret missions. I had Barbie Goes Rambo.
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My mother took great relish in introducing me as 'This is my son - he's a doctor but not the kind that helps people.'
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I'll never get a Humanitas Award, but I'll have fun.
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Has the art of politics no apparent utility? Does it appear to be unqualifiedly ratty, raffish, sordid, obscene, and low down, andits salient virtuosi a gang of unmitigated scoundrels? Then let us not forget its high capacity to soothe and tickle the midriff, its incomparable services as a maker of entertainment.
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When I got home from The Ozzfest in September 2000 with Methods... I just locked myself in my house and I started writing.
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When people see some things as good, other things become bad.
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I was too young to know how to love her.
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There's no big splashy renaissance in Italian films. We have good young actors and directors. What we lack are screenwriters. It's hard to write about Italy.
