Harry Shearer Quotes
In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.
Quotes to Explore
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I'm a believer in trusting the director.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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I got to work with legendary director Garry Marshall.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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I have my pride. I'm a director. I'm not going to go and recreate some other director's vision.
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I don't have a director. The audience directs me.
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Kabir Khan is that rare director who manages to merge Bollywood formula with a good story.
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I love movies where you can sense that the director risked biting off more than they can chew.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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That was me under the bath and the water being held down. The director wanted it to look as real as possible so he told Keanu, in front of me, don't go easy on her. So it was scary.
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You need a director, a script, and a role to justify a risk.
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My parents said, Oh, he's going to be a director someday. I wanted to be an actor.
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Do you know what I'm working on now? My first feature as a director.
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I'm not like one of those actors who's a frustrated director.
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I need to thank my director, producers, and artists as well crew members of all my projects.
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I wouldn't want to be just pigeonholed as an extravagant director.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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A script is not a piece of literature it's a process.
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I remember working with Jackie Chan on Shanghai Noon 2000, and when we were working on the script, I thought that my character thought about being an outlaw the way a kid today would think about being a rock star, as a way to impress girls. So it was just kind of a funny idea, but once we had that idea, it changed the character and made it something that was funnier to me to play.
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I got involved through the director of the show Top Chef, he's a director of films in Mexico; I worked with him before. I watched the show in English -many times for many years - and I always loved it. As soon as I heard about having an opportunity to showcase Mexico in a different way, to show a different side of Mexico, that is not violent, that has beautiful colors and delicious food... I didn't think about it twice.
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The toughest parts of the shooting schedule for me are the days between working, when you've nothing to do but wait. There is only so much time you can spend on a script before it becomes so rehearsed that your performance becomes rigid and immovable on the day of, so one has to occupy one's time in some fashion. For me, those interim days are usually spent exercising, exploring, learning to cook something edible, and working on my own creative endeavors.
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I have rules about eating, exercising and rules about staying positive. And these rules are sacred to me.
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In the year and a half I was on SNL, I never saw anybody ad lib anything. For a very good reason - the director cut according to the script. So, if you ad libbed, you'd be off mike and off camera.
