Laura Lippman Quotes
There was no protection, no quota system when it came to luck. It was like that moment in math when a child learns that the odds of heads or tails is always one-in-two, no matter how many times one has flipped the coin and gotten heads. Every flip, the odds are the same. Every day, you could be unlucky all over again.
Quotes to Explore
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I don't really measure success by anything other than if I am happy. That is success to me. Am I happy waking up every morning? And despite the challenges of running my own business, do I look forward to going to work? Absolutely.
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The British have always made terrible parents.
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I do freestyle jumping. Been doing since I was eight years old and can't quit. I'm addicted. I've broken many bones, but I ride with confidence. It's my thing - there's no high on earth like it. It's my hobby and I really enjoy it.
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I get horrified when I have to do table reads with the whole cast, because there's a lot of stuttering coming from me, so I have to do a lot of prep.
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I never get recognised here in London, which I like. Once a year, someone comes up to me and asks if I am 'so-and-so's niece' because they think they recognise me from somewhere. I like that.
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If you're a sponsor, and you're doing business globally, to bring your guests to South Florida is pretty nice.
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The classical example of a successful research programme is Newton's gravitational theory: possibly the most successful research programme ever.
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Acting had been a hobby that turned into a career, the directing was a hobby that turned into a career, and music just really allowed me to find another way to express myself. I started playing bass in November 1996, and by June 1998 I was doing my first live show.
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I'm very competitive but in a very nice way.
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Salesforce's Chatter is what convinced me that the company understood what is going on in the enterprise; this was the biggest attraction for me. I saw that Salesforce understands social.
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Life is a journey that must be traveled no matter how bad the roads and accommodations.
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Performing live on stage is such a community, whether it's my musicians or a cast of a show that I'm in. And then when you're in the studio or on set, it's a much more solitary experience. Both can serve me at different times in my life. And when I go back and forth from one to the other, it helps me appreciate all of them much better.
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The great fights with your strongest rivals are always the biggest motivation. When you win easily it's not the same taste.
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I did tennis for a while, and I was actually on the volleyball team for a minute.
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Most of the time, songs that I write end up being finished in 30 minutes or less.
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In today's world, social media, people get judged so much by the last thing that happened, I almost feel, in a way, young people get to see that not only is it OK to fail - that's the way you get to championship success, whether it's sports or business or life.
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I think that when I die, it might be some time until I know it.
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For over ten years I always had, but I don't speak English.
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I know there are going to be big challenges financially, but I'm excited artistically. I think that if the experience is better artistically, then we have more hope in the future.
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Whence had they come The hand and lash that beat down frigid Rome? What sacred drama through her body heaved When world-transforming Charlemagne was conceived?
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I was trying to perform as best as possible. I was a boy at the time, but worked well with the sickle.
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Sometimes I think your life and mine are under the protection of some supreme being or fate, because, after many years of parallel thought, we find ourselves in the positions we now occupy.
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There was no protection, no quota system when it came to luck. It was like that moment in math when a child learns that the odds of heads or tails is always one-in-two, no matter how many times one has flipped the coin and gotten heads. Every flip, the odds are the same. Every day, you could be unlucky all over again.
