Michael Behe Quotes
We are not inferring design to account for a black box, but to account for an open box.
Quotes to Explore
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Everyone thinks I land in a chopper on top of my building and I have the most cushy existence. Could you understand that I might have the most messed up life myself?
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As I moved to less and less diverse places in my life, I realized that white people don't talk about race amongst themselves!
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A lot of actors in my age bracket look at being still standing as pretty good.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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Our leaders must hear us speaking on behalf of our brothers and sisters in South Sudan. If the moral duty to save lives and work toward peace is not compelling enough to drive decision-makers, we must remind them that we care and will hold them accountable.
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I came to Berlin not to visit its museums and galleries, its operas, its theaters... but for the sake of seeing and speaking with the world's greatest living man - Alexander von Humboldt.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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The striking thing about the Precious Blood is the bond it establishes between love and suffering in our experience, a bond that has become so close that we have come to think of suffering accepted with joy as the most authentic sign of love with any depth at all.
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With 'posts' running in the millions, Internet message boards have become an essential part of the savvy investor's arsenal.
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The Internet is a toilet. It is.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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I came from a dance background, so that's what I did my whole teenage years. I was at the dance studio a lot. It just becomes your social scene and part of your life.
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The finest lesson I've learned with age is that all I need is a small team of comrades who inspire me, try not to judge me, and remind me when I'm judging myself.
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I've not really spent much time in proper studios. The room itself where you're recording, and how you live while you're there is what appeals to me.
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Over the years, I have studied church history as well as the contemporary church, and I noticed how rare it is for a God-glorifying transition of leadership to take place in a local church.
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You never want to rest on your laurels. You want to keep doing things that terrify you.
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We are personalities in the making, limited, and grappling with things too high for us. Obviously we, at very best, will make many mistakes, but these mistakes need not be sins.
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Once I should have been, if not satisfied, partially, at least, contented with suffrage for the intelligent and those who have been soldiers; now I am convinced that universal suffrage is demanded by sound policy and impartial justice.
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What I've discovered is that in art, as in music, there's a lot of truth-and then there's a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It's the moment that the audience falls in love.
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Economic engineering is about the design and analysis of frameworks for achieving specific economic objectives.
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We must always embrace individual liberty and enforce the constitutional rights of all Americans-rich and poor, immigrant and native, black and white.
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I just grew up a poor black kid in Alabama with a single mom and two brothers.
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I played a nerdy guy on 'CSI: NY' for nine years. I want to be bad for a while. I want to be really, really bad.
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We are not inferring design to account for a black box, but to account for an open box.
