Ernest Gaines Quotes
I suppose I started writing seriously at 16 years old. I thought I wrote a novel at 16 and sent it to New York! They sent it back because it wasn't novel.
Quotes to Explore
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I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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I love writing songs.
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Sometimes writing a novel is not unlike having a baby. You'd have to ask a female novelist to compare the pain.
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Writing for the theater, you find yourself living a nocturnal life.
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I've been writing for a long time. I sat down to write my first novel in the middle of March of 1982.
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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You could take away the singing, and I am fine. But don't take away my gift of writing. It is the best way I can relate and express what I am feeling and what I am going through.
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Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
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There aren't a lot of 'Aha!' moments in writing.
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I would wake up really early and go into the hotel bathroom, put a towel over the toilet, and put my laptop there. I'd put my headphones on and just write. And so now when I do writing sessions, and I am stuck on a part, or I can't figure out a chorus, I'm just like, 'Give me a second,' and I'll go to that bathroom.
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Yoga helps me with a composed and serene state of mind, which is good for writing.
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I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
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The novel is a seduction; a reader has to be seduced.
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You know, sometimes I get moments of inspiration when I'm writing something and then the task seems so daunting that it just kind of scares me away.
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I'm not happy when I'm writing, but I'm more unhappy when I'm not.
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I don't necessarily set out to teach or say anything in particular in my writing. Morals and themes come out as I'm telling the tale.
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When I'm writing a book, sentence by sentence, I'm not thinking theoretically. I'm just trying to work out the story from inside the characters I've got.
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Research to me is as important, or more important, than the writing. It is the foundation upon which the book is built.
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I think that the Japanese - and I do love Japanese cuisine and adore Japanese food culture - I think that they're going to plow through the entire world's fishing. They're going to eat everything anyways.
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I am rich beyond the dreams of avarice.
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I don't think I've ever written a poem whose intention was just to be funny. I've written poems that start out funny and often shift into something more serious.
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I suppose I started writing seriously at 16 years old. I thought I wrote a novel at 16 and sent it to New York! They sent it back because it wasn't novel.
