Ernest Hemingway Quotes
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
Quotes to Explore
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We keep, in science, getting a more and more sophisticated view of our essential ignorance.
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Listen to the Bee Gees and you can learn to be a great writer.
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With 'Dance Moms' in L.A., we film on Wednesday, Thursday, Friday, and Saturday. When we film in Pittsburgh, we film the same days, but we still dance in our studio when we're not filming, so I'm dancing every day except Sunday.
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I really don't think anything I do is a mistake. It could be if I didn't learn from it.
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I always carry lip balm and lipstick. Lipstick is a very important beauty product because I find that lips are the most beautiful feature of anyone's face.
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I think one of the great things about being a musician is that you never stop learning.
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Our minds are like our stomaches; they are whetted by the change of their food, and variety supplies both with fresh appetite.
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I've always been an underdog. I feel like I beat the odds.
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I think if you're everyone's cup of tea, that probably means you're a little bit boring, or you're not pushing yourself. Creativity happens where it's dangerous and scary: where you're not comfortable.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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My first book was poetry, but I didn't write it first. I wrote it third. So my first two books were prose.
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With every film, I try and give the audiences a little more than the previous film in terms of comedy, action, drama and so on.
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Fashion is unique. It's a leveler, not a divider.
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To put it simply and a bit crudely: Our economy is demanding more well-educated workers than our schools are providing. To attract this scarce resource, communities have to offer more than just jobs.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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I love getting people's opinion of what I'm doing.
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I wish every woman would love herself and embrace what she was given naturally.
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In fact I enjoyed every minute of my life at King's, especially the discovery of French and German literature.
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My early book learning came to me as naturally as the seasons in … the little town in which I grew up. … Quite early I began to find a special charm in an unpeopled world … of lava rock and sagebrush desert. … I was often more purely happy at such times than I think I have ever been since.
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I love Madrid.
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One of the big things I've learned over the years and I'm excited that Glossier perpetuates is that wherever you're at, in terms of your scope of knowledge around beauty, is totally okay. And not just okay, but actually really valuable.
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I certainly don't think you need to be famous to want to leave a legacy, but when you are famous, it's even more likely that your child will get the wrong perspective on your life if you die prematurely.
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She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
