Julia Glass Quotes
Quotes to Explore
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'Trapped In The Closet' lives in a place on the earth on its own. It pays its own rent, it's its own landlord, it owns the building, it's everything. And it's so separate from what R. Kelly does; that's the great thing about it.
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You can't predict a show, that is the damndest thing, you can't predict if a show is going to work or not until it's on the air.
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It's important to be able to keep things fresh, no matter what age you are, or how many years you've been in the industry.
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I saw John Garfield smoke. He was my idol, so I smoked. I even smoked like him.
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I've never been big on cars. When I first got to Hollywood, I bought a used car from Avis. I drove that until I almost had to pay someone to tow it away.
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Mistakes are, after all, the foundations of truth, and if a man does not know what a thing is, it is at least an increase in knowledge if he knows what it is not.
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The best loved by God are those that are rich, yet have the humility of the poor, and those that are poor and have the magnanimity of the rich.
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As far as things I avoid, I always avoid following trends just because they're trends.
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I don't think actors should ever expect to get a role, because the disappointment is too great. You've got to think of things as an opportunity. An audition's an opportunity to have an audience.
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It takes local pastors to say, 'we're not going to take it. Be strong.
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We have been saying from the very beginning that we will not tolerate any action in Montenegro, ... We will continue to say that and to act if necessary.
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We are in the midst of trying to fit Australia into the schedule after we go to Japan in January...
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I started to be really proud of the fact I was gay even though I wasn't.
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I look good. I feel good and not to sound conceited I sound great.
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I've been in some bad TV shows and suffered through so much poor writing.
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There's really never any sort of master plan. I find if I've got a couple of tunes that I think are possibilities, I phone everyone up and get them into the studio and we'll have a go at recording them.
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I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.
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I'd rather be pleasantly surprised than fatally disappointed.
