Esa-Pekka Salonen Quotes
Quotes to Explore
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I always said there's no way I'd work in America because I'm too weird and I'm too old, but somehow it's happened.
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Where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.
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Hebrew is the language I use to thank the Creator and, also, to swear on the road.
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If the plane moves, some turbulence, I am nervous flyer.
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I myself consider myself the most powerful figure in the world.
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A noble soul and real poetic talent are almost always inseparable.
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Writing a novel is one of those modern rites of passage, I think, that lead us from an innocent world of contentment, drunkenness, and good humor, to a state of chronic edginess and the perpetual scanning of bank statements.
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With Donald Trump as president and Republicans in control of Congress, our healthcare is under attack.
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My writing books with positive gay characters has come more out of anger than anything else: anger at not having been able to find honest, accurate books about people like myself as a teen, books that show we're as diverse as straight people and that we can lead happy, healthy, productive lives just as straight people can.
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I have never found, in a long experience of politics, that criticism is ever inhibited by ignorance.
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I have little routines in the theater. Once I've established something, like the order of putting on makeup and a costume, I have to invariably do it in the same order every time, even if I only did it by chance the first time round.
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As long as I have ambition, maybe I can achieve something for my country.
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For my own part, once I became a teenager, I experienced severe and violent racism.
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Over a hundred million Americans reject the findings of the Warren Commission, whose report at least ninety-nine out of a hundred have never read.
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The zeitgeist is for cutting spending and balancing the budget. But I do not want the Republican Party to be perceived as putting the budget ahead of people, jobs and education.
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God primes the pump of obligation.
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I was born to hit a baseball. I can hit a baseball.
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The quality of your work, in the long run, is the deciding factor on how much your services are valued by the world.
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Movies are my religion and God is my patron. I'm lucky enough to be in the position where I don't make movies to pay for my pool. When I make a movie, I want it to be everything to me; like I would die for it.
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I'm really trying to dredge up what one might call intellectual and moral material. For example, when do you realize that you are an American? What age does that happen to you? When do you realize what religion your parents practice? When does it all become conscious? I was interested in exploring all of that.
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Faced with a time shortage, we squeeze tasks into the nooks and crannies of our calendar, leaving less and less time to switch between them. As a result, we become less and less productive exactly when we need to be most productive.
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I have a little dictaphone and if a sound takes my fancy or if a lyric comes to me in the middle of the night I'll just record it there and then.
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The whole idea of 'Death Line' was to kind of highlight class distinctions in England more than to make a scary movie, and I just kind of wrapped my political treatise of the class distinctions in England in this movie.
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I love a visceral sound, the kind that hits you in the belly.
