Harshvardhan Rane Quotes
Satra Ko Shaadi Hai is a very sweet film. It was the first film that I shot. I play a shy small town boy in it, which is an absolute contrast to what I played in Sanam Teri Kasam.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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But the process of making a film is not glamorous. Certainly not my films.
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Film has to describe and show.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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Being in a Woody Allen film. I cherish it.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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I make sure that whatever film I do, I enjoy my role.
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I've only used my own voice about four times on film.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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When I am not working, I try to watch more than one film a day if I can.
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When we talk about how movies used to be made, it was over 100 years of film, literal, physical film, with emulsion, that we would expose to light and we would get pictures.
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I know there are things I did in education that will never be reversed. I have not done that in film yet because I have only been here for about nine months.
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It feels wonderful to be go back to the 1940s and recreate the whole era through my clothes, voice and body language. I am tired of playing the larger-than-life hero.
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Moral improvement (or perfecting) require an evolution leading to a higher consciousness, which is the true torch of life; it is what we have failed too much to appreciate, and that which would be fatal to fail to appreciate any longer ("pluslongtemps", Fr.); For if we do not take it upon ourselves to remedy in time to the moral colapse (or bankruptcy) that already threaten, the whole civilisation will risks to disappear.
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Satra Ko Shaadi Hai is a very sweet film. It was the first film that I shot. I play a shy small town boy in it, which is an absolute contrast to what I played in Sanam Teri Kasam.
