Estelle Parsons Quotes
I believe in things that move people, if the audience isn't deeply caught up and moved to either laughter or tears then I don't think it is theater.
Quotes to Explore
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I'd want to read the stories that I'd written, I'd want to show the drawings that I made. That was just purely natural. So I knew I wanted to go into the arts in some way and that I'd want to show that work in some way.
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The same contingencies of time and space that force a statesman or soldier to make decisions, impel the historian, though with less urgency, to make up his mind.
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Before discovering theater, I was sloughing off and didn't have any passion for school. Then I couldn't get enough. All of a sudden, I was getting good parts in all of these plays. I just loved it. I started getting A's in acting, directing and technical theater. I found something that clicked.
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It is a kind of ego booster, the way Egypt's winning the 1973 war, in the first stages, was an uplift. But I did not find when I spoke to people that the war in Iraq was seen as the major issue in American-Arab relations.
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As artists, we're always going to like the songs we just now made over the songs we made a year ago.
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There are no lines in nature, only areas of colour, one against another.
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I'm going to try to tell stories and let each tale skate its own way into dark or light territory as the needs of the story steer me.
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Poor people have more fun than rich people, they say; and I notice it's the rich people who keep saying it.
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My involvement with Guantanamo began as vice chief of staff.
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I must say acting was good training for the political life which lay ahead for us.
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First of all, it was such an honor to be chosen. You had to be voted in by players and coaches that time. But having it in Hawai'i was a brilliant idea.
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In the sudden absence of husbands, fathers, brothers and beaus, white Southern women discovered a newfound freedom - one that simultaneously granted them more power in relationships and increased their likelihood of heartbreak.
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I'd watch old movies with Judy Garland, Shirley Temple and Bette Davis and long to be part of that glamorous world. A lot of that glamour is gone now. In my own small way, I hope I'm bringing some of it back. But it would be great if I could inspire women to dress up.
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Is there not a sort of remorse that precedes sin? Was it remorse at the very fact that I existed?
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My job is to make sure we keep performing.
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Call for the robin redbreast and the wren,Since o'er shady groves they hover,And with leaves and flowers do coverThe friendless bodies of unburied men.
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I am proud of being a Southerner. I wasn't about to let Southerners on my show be stupid or aw-shuckses who just sit on the front porch and spit in the yard. I wasn't about to do that, and I made that very clear from the start. I was kind of the gate-keeper on that stuff.
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After 2000 or so, I started to realize I wanted to be doing something else. I didn't want to be in front of a camera. I was frustrated. I didn't think I would stop acting, but I didn't want to be seen.
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Sing with me, sing for the years. Sing for the laughter'n sing for the tears.
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There is a clear acknowledgement all over the world that we should not teach people to read and then to leave them without literature. For they would then relapse into a dreary and ultimately dangerous state of half-education, in which they would be easily satisfied by crude semi-pictorial approximations of the strip cartoon and by the abundant supply of degenerate literature which destroys, rather than promotes, a capacity to face the problems of the world with skill and courage.
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The people in my songs are all me.
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The death penalty is becoming a way of life in this country.
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I believe in things that move people, if the audience isn't deeply caught up and moved to either laughter or tears then I don't think it is theater.
