Esther Renay Dean (Ester Dean) Quotes
Quotes to Explore
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A healthy economics has got to have both conceptual, theoretical research and applied, empirical research.
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Creating things sometimes is difficult.
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The scene that has raised the most objections in 'The Interview' is at the very end, when Kim's head dissolves into flames. To me, it feels gratuitous.
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At some point, you're going to have to be willing to take a punch for your team. If your employees or your teammates will see that you're willing to do that, they are more likely to be loyal to you, and your team is more likely to function better.
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A great burden was lifted from my shoulders the day I realized that no one owes me anything.
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Working on my knowledge and education and learning how to become a more talented and wise person make me feel more sexy.
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I am not interested in producing fiction for Indian television at all, the reason being that I don't understand the medium. I can be a judge or a host; I can do that as an individual. But to produce TV content, you have to know the game.
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I do not find it easy to articulate thoughts about religion. I remain the sort of person who turns off 'Thought for the Day' when it comes on the radio.
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A lot of the tabloid stories are written so well, they're very clever and very funny. But you have to focus on what's really important and not read them - don't dive into it and don't get caught up in it.
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Female clothing seems to be extremely difficult and almost like a puzzle for a man to take off. But I think if you get there, you win. A kilt is the complete opposite. The kilt is so easy to take off.
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I felt like I was building this world brick by brick with each layer of instrumentation I was doing. I could see it growing in some ways. I feel like most writers feel the same way. You're almost living inside of this magic world that you're building.
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Maybe if I could ever be a successful comedian then I could be an example that Christians can also have fun.
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Honesty is wonderful, but I suspect it's also overrated.
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Sometimes shooting on a smaller scale, as long as things don't blow out of proportion, is very liberating.
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To make a successful film from a successful play is probably much more difficult than making one from scratch, just as any carpenter will tell you that it is more difficult to restore an old house than to build a comparable new one.
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The trouble with most Englishwomen is that they will dress as if they had been a mouse in a previous incarnation they do not want to attract attention.
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For every $10 you reduce the price of the smartphone, 100 million more people will buy them.
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Leave this hypocritical prating about the masses. Masses are rude, lame, unmade, pernicious in their demands and influence, and need not to be flattered, but to be schooled. I wish not to concede anything to them, but to tame, drill, divide, and break them up, and draw individuals out of them.
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When the audience comes in, it changes the temperature of what you've written.
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That's not going to happen, because I don't want it to happen. I don't want a movie about me until I'm very, very old - when I'm very, very old, everybody that wants to play me will be middle-aged.
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I was an outsider, never quite part of what was going on, always looking in. It turned out to be great preparation for writing fiction.
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The first Mardi Gras I went to, I stayed at the Tulane AE Pi house on Broadway. Slept on a pool table one night, slept under it the next.
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I played upright bass. I wanted to write great tunes, play the bass, be a band leader, and smoke a big funny pipe like Charlie Mingus. So I went out and bought the pipe when I was around 18 or 19 years old. You know even women smoke a pipe in Glasgow. I worked with Carla Bley and she smoked a pipe, which I find fascinating.
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I don't really start writing until later in the night. I'm a night owl.
