Etgar Keret Quotes
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I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
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Generally, all my life, I have had strong friction with life - I was a problematic soldier, I was kicked out of the army, I was in fights. There was something about writing that was a way of experimenting with this emotion.
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If someone gives you a piece of advice that sounds right and feels right, use it. If someone gives you a piece of advice that sounds right and feels wrong, don’t waste so much as a single second on it. It may be fine for someone else, but not for you.
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There are two kinds of people, those who like to sleep next to the wall, and those who like to sleep next to the people who push them off the bed.
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I think living in Israel and wanting to change reality is the best prescription for never-ending writer's block.
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And she loved a man who was made out of nothing. A few hours without him and right away she’d be missing him with her whole body, sitting in her office surrounded by polyethylene and concrete and thinking of him. And every time she’d boil water for coffee in her ground-floor office, she’d let the steam cover her face, imagining it was him stroking her cheeks, her eyelids and she’d wait for the day to be over, so she could go to her apartment building, climb the flight of stairs, turn the key in the door, and find him waiting for her, naked and still between the sheets of her empty bed.
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What you experience in the army, aged 18 to 21, is what you take through all your life. You cross invisible lines: you shoot someone, get shot, break into people's houses. It's naive to think you won't carry anything into your life.
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If we're a family and your brother wishes you death, it's not a very happy family.
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People usually don't allow you to cut off their tongue.
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In Israel, there is this reduction of the political discourse to something that is very limited. It's as if you have that pitch that only dogs can hear. Sometimes I feel I speak at such a pitch that very few people around me communicate with what I'm saying.
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Most of them were murderers. But when I went there to talk, they were the nicest people. I did a reading. I said, "Thank you," and then they said to me, "Could you talk some more?" And I said, "Why?" and they answered, "Most of us are in solitary confinement, so the moment you finish talking, they take us back to our cells. We like hanging out here together."
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I never know the endings when I write. It's a turnoff when you know the ending. You lose much of your incentive to write when you already know. It's like seeing a movie a second time.
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In the last war, people became vocal from the right-wing point of view: if you're liberal, then you're a traitor.
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You don't need to use the language of God to ask where the restrooms are.
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I don't like the expression "writer's block" because I think it presupposes that you have a problem with your plumbing. I really think it's the other way around.
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It's funny, but I think my stories - the good ones - they're much smarter than I am.
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I think that before my son was born, I didn't have a strong sensation for future. I was living in this kind of never-ending present.
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If you were to do the world championship of victimhood in modern times, then the finals would probably be between Jews and Palestinians. I think the Jews win: we, Isralians, go from the Spanish Inquisition to pogroms to the fake Protocols of the Elders of Zion to World War II and the Holocaust - it's a horrible history. And if you look at the Palestinian world, victimized by every entity in the Middle East, they were massacred in every country. I think that, in Israel, the greatest fear that people have, and I have it, too, is this fear of genocide.
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What connects me so strongly to Israel is the fact that I'm second generation. My parents said, "We have a place where we can just be ourselves and nobody says, 'Don't tell me your opinion, you damn Jew, go somewhere else.'" Then you go to this country and other Jews tell you to shut up. It's frustrating. I think that we have a bad government and that some people are fearful. They're going with the class bully. But I really truly believe - you read it in my stories - that deep inside, people have goodness.
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I tried once in my life to write a novel. I had written something like 80 pages of it when my laptop got stolen. When I told people this, they acted as if something tragic had happened, but I kind of felt relieved, grateful to the thief who saved me from another year of something that felt more like homework than fun.
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I think that, in Hebrew, it's like the language creates a more unique and specific universe even before the story.
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If you scare somebody enough, they stop being rational.
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You'll never know what's happening inside the heads of other people.
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To what extent does anybody control his destiny? Life is very much like falling of the edge of a cliff. You have complete freedom to make all the choices you want to take on your way down. My characters choose to yearn and not lose hope even when the odds are completely against them. It doesn't make the landing at the end of that fall any less painful but, somehow, it helps them keep a little dignity their bone broken body.