Ethan Canin Quotes
Quotes to Explore
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If I weren't a performer, I would be still be writing and songwriting. Plus, I also really want to get into producing.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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Writing blurbs for books means you have to read the book, and it cuts into the business of bookselling. So every time I get a blurb from a bookseller, I try to write a thank you note.
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I gave up writing children's books. I wanted to escape from them as I had once wanted to escape from 'Punch': as I have always wanted to escape. In vain.
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After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
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But in the meantime I became accustomed to the writing life and it would be hard to change now - partly because of the salary cut if I went to my other love, teaching; and partly because I still have stories to tell, even though it isn't all that fun doing the work anymore.
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When I began writing science fiction in the middle '60s, it seemed very easy to find ideas that took decades to percolate into the cultural consciousness; now the lead time seems more like eighteen months.
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I think the beauty of the writing of 'Game of Thrones' is not that the characters are fearless; it's how they overcome their fear, you know?
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When you write what you know, you stay in control. One of the first things I encourage my writing students to do is to lose control - say what they want to say, break structure.
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You know, sometimes I get moments of inspiration when I'm writing something and then the task seems so daunting that it just kind of scares me away.
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I think without writing I would feel completely useless.
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I can't imagine what it would be like to write in a relaxed state. I'm going to be writing some stories for my own interest. I want to experiment with different things and see if I can approach writing with much less control and in a better psychological state. It will be like breaking out of a straitjacket.
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I know now that I began writing in a country where the word 'woman' and the word 'poet' were almost magnetically opposed. One word was used to invoke collective nurture, the other to sketch out self-reflective individualism. Both states were necessary - that much the culture conceded - but they were oil and water and could not be mixed.
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Writing for the theatre is so different to writing for anything else. Because what you write is eventually going to be spoken. That's why I think so many really powerful novelists can't write a play - because they don't understand that it's spoken - that it hits the air. They don't get that.
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While writing my memoir, 'When Skateboards Will Be Free,' I would sometimes have to pore over hours of microfilm at the New York Public Library in order to try to get one obscure detail right. For instance, was the Socialist Workers Party originally called the American Workers Party or the Workers Party of the United States?
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I began working quite young, writing, growing, maturing, always striving to top myself - to make people laugh hard at things they know and believe deep in their hearts to be true.
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My brother is the lifelong musician; he made the choice to do that when we were very, very young kids. I remember him playing in bands and listening to the music he was writing in the house - he's nine years older than me.
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I began doing writing projects and art and design projects to explore a new way of seeing Canada. Roots is one more way of continuing this exploration. I want to present a wide-open Canadian sense of color, adventure, communication and openness that defines our country.
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There are people who read Tolstoy or Dostoevski who do not insist that their endings be happy or pleasant or, at least, not be depressing. But if you're writing mysteries - oh, no, you can't have an ending like that. It must be tidy.
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Life histories tell you just about everything you need to know about an animal.
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Well, only Japanese may understand it, but I'm like a goat or something that likes high places.
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Affliction comes to us, not to make us sad but sober; not to make us sorry but wise.
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My skin may have wrinkles but it's because I'm smiling so much. That might sound like some terrible American greetings card, but I feel it's immoral for me to castigate my body for getting older, when it does everything I ask of it.
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I don't want to be movie-star famous. I want to move people with my writing.
