Ethan Canin Quotes
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I don't want to be movie-star famous. I want to move people with my writing.
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You have to look at the value of different kinds of words. Adjectives weaken, and adverbs come even farther down the line. Verbs are strong; verbs and nouns.
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Mathematicians don't like it when they're associated with mental illness and sort of bristle when you say that they can't get along socially, that they're not good with people.
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I think talent has a huge amount to do with concentration, concentration rather than the athletic ability of your neurons. If you can concentrate on an esoteric piece of math, how can you think about the rest of your life? That's why people can leave their car keys in the gutter; they're in the midst of obsession and concentration.
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My idea of teaching literature is just to read great passages aloud or to look at it the way a writer does, which is what I try to do. Which is to say, 'How does this writer do this? How did he order his scenes? Do you notice any pattern to his sentences?'
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Although I think I'm relatively happy as a person, I think there's something unhappy at the root of all my writing. I'd say optimistic but unhappy. Nothing that's particularly original, other than that we're going to live and die, and terrible things happen.
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I started out writing stories because that's all I wanted to read, but now I don't know if I'll ever write one again.
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Nothing is as important as a likable narrator. Nothing holds a story together better.
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If you're concentrating so damn hard on a piece of mathematics or a musical - a piece of music or a piece of art, the restraint that holds the rest of - the rest of the world back off and vanishes in the rest of your life.
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Bausch is a wonderful storyteller. He's a mature writer who has a lot of confidence in the quality of character. He doesn't need to hook you with a sneaky plot and zany characters.
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Why say 'utilize' when you can say 'use'?
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I never set out to be a published writer.
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You don't idea your way into a plot but plot your way into an idea.
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'How does your life turn out?' That's the ultimate novelistic question to me.
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Writing a book is like an unknown abyss, every time. Every book is different. Contrary to what unpublished writers think, it's horrible to have a book out.
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John Cheever was the first writer I ever read who sort of had that similar sensation that, you know, life is nasty, miserable, brutish and short, but that occasionally, there's a certain river of light, a kind word, a telling gesture that sort of illuminates something.
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The short story can't really hold an interesting event. It can't hold a death or a war or a loss of great magnitude the way either a long story or a novel can.
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Politicians are already exaggerated. They're bigger than life in every way - their appetites, their ambitions, their personalities, their failings, their magnetism. In a sense, they're made for fiction.
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I'm becoming more of a novelist as I get older. The novel just seems the truer form. There's less artifice involved.
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I like medicine. Even if I was selling a million books a year, I would still be a doctor.
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I have a very bad memory. I can't remember my own life very well.
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Your first book is kind of a labor of ignorance. You don't realize the difficulty of it. Your second book is sort of a labor of fear. Then you sort of either hit a stride, or you don't.
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I think one of the battles for fiction writers is how much to invent or exaggerate.
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If you write a page a day in couple months you have a good chunk of the book and then after a year you have almost a book. It's not that...hard.