Ethan Hawke Quotes
The script of Regression wasn't the draw for me. It was largely Alejandro Amenabar and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.
Quotes to Explore
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Wonder rather than doubt is the root of all knowledge.
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I guess becoming an adult and learning how to survive on your own is exciting.
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I went to Catholic high school for half a year and religion wasn't the cool thing to talk about even at a catholic high school. It never came up.
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The West was involved in toppling the Mossadegh government. That ultimately led to the Iranian revolution.
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If I'm preparing for something and I've got a huge day the next day, I have to get into character the night before to assess the scene. I can't assess a scene unless I'm in character, if that makes sense.
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The purpose of a business is to create customers.
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But however measurable, there is much more life in music than mathematics or logic ever dreamed of.
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I live in New York. I don't really particularly want to move to LA.
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I love the crowds at festivals because they're so chilled out.
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Let me tell you, my career went from zero to 900. Its hard keeping up with that pace, but I wouldn't trade it for anything else in the world.
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I swear to the Lord, I still can't see, why Democracy means, everybody but me.
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We live in a globalising world. That means that all of us, consciously or not, depend on each other. Whatever we do or refrain from doing affects the lives of people who live in places we'll never visit.
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What you see is what you get.
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It's my view that any conservative who loves his country has to be extremely concerned.
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I think my strength is always been in being very natural. I think Shakespeare and things like that would be more a stretch for me.
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I just want to give the people 100% of myself as an artist.
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I wanted 'Hell or High Water' to feel like a road movie and an exciting, fun film - until it's not.
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I'm just fascinated by the past. You know, both by the possibilities it holds and by the complete tyranny of it, the way it sort of keeps you in this stranglehold and makes you want things that you no longer have and you can never get back.
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And so as a director, as a leader, and myself as a director and a leader, I kind of try to make sure that we hold onto the vision and kind of corral it, but by the time you finish whatever the project is, a TV show, a series, a movie, a stage show, it should be a product of what all those people can do, and therefore, it can never be what you imagined it would be in the beginning.
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It infuriates me that the work of white American writers can be universal and lay claim to classic texts, while black and female authors are ghetto-ized as 'other.'
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I grew up in southwestern Virginia. I was born in South Carolina, but only because my parents had a vacation cabin or something there on the beach. I was like a summer baby. But I did grow up in the South. I grew up in serious, serious Appalachia, in a very small town.
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Anyway, one of the first things you learn in space is not to thrash. If you have nothing constructive to do, the most constructive thing you can do is often nothing at all. In a mindful sense, I mean. Thrashing is the thing that gets people killed. Not sitting still.
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We must find a common language and that common language for us is the key of E, English. You understand, right? In music, like in language, we must find common ground. When an orchestra tunes, that common ground is A.
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The script of Regression wasn't the draw for me. It was largely Alejandro Amenabar and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.
