Haruki Murakami Quotes
No matter how clear things might become in the forest of story, there was never a clear-cut solution, as there was in math. The role of a story was, in the broadest terms, to transpose a problem into another form. Depending on the nature and the direction of the problem, a solution might be suggested in the narrative. Tengo would return to the real world with that solution in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. It served no immediate practical purpose, but it contained a possibility.
Quotes to Explore
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I tend to lean toward strong female stories. I want to make things that don't already exist out there.
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People are struggling. They're trying to make ends meet, and they're looking for Washington to deliver for them. And they don't feel that that's been happening as quickly as it should. We share that frustration. There's no one more frustrated than President Obama.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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And it seems to me in that experience may lie at least some of the clues for policy development perhaps constitutional changes as well that Labour will need to make at the national level too.
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I don't want to know movie directors. I don't want to be close to them. I don't want to interfere with their work. I don't want them to interfere with mine.
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I have an incomplete album that I want to finish. I have been thinking about the plan during my days in jail, I have sung rock n' roll for forty years. After jail, I will continue to rock n' roll.
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At a certain point in your career - I mean, part of the answer is a personal answer, which is that at a certain point in your career, it becomes more satisfying to help entrepreneurs than to be one.
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I have consistently supported laws ensuring women are able to make their own health care decisions, and I will continue to protect women's access to contraceptives and reproductive health care.
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I'm usually cast for the more goofy and tomboyish characters.
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Richard III is not likeable. Macbeth is not likeable. Hamlet is not likeable. And yet you can't take your eyes off them. I'm far more interested in that than I am in any sort of likeability.
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That's why I love doing television because it's something that fans and viewers can sit down each week and get to know your character and get to know the show and get to know what's going on and fall in love with you all over again, like they did in previous shows.
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I believe that everybody has the right to view his or her own body as a palette. However, I think intellectuals should at least try to be role models.
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It's good to actually cry. Trust me, I've had a lot of practice over the years!
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People love to see reactions, they love to see emotions that come about.
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And the whole thing is that you're treated like a step-child. Here it was down here, everything in the black, because they were stealing, basically. Stealing from us old country boys down here.
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I was in middle school right around the time the Bloods and the Crips started taking root in Compton and a lot of the other neighborhoods around me. I saw way too many of my peers - smart, kind, good kids - who got drawn into gangs and violence, and their futures were going to be forever scarred by that.
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Word of mouth is way more important than millions of dollars spent marketing.
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Once a food becomes off-limits, then it takes on this whole other personality. 'Forbidden' is more tempting. And it becomes something evil, but food is food. It's there to nourish your body.
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My life is studded with a series of coincidences.
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I get a different kind of lyric from someone else that might make me go in a different musical direction.
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The real secret of magic lies in the performance.
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When a child begins to play games... he enters the gateway to reason and imagination together.
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No matter how clear things might become in the forest of story, there was never a clear-cut solution, as there was in math. The role of a story was, in the broadest terms, to transpose a problem into another form. Depending on the nature and the direction of the problem, a solution might be suggested in the narrative. Tengo would return to the real world with that solution in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. It served no immediate practical purpose, but it contained a possibility.
