Haruki Murakami Quotes
She gave me this look – she might have been watching from a lifeboat as the ship went down. Or maybe it was the other way around.
Quotes to Explore
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A world without Tony Randall is a world that I cannot recognize.
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Clothing and makeup and hair and all of that so much indicates the kind of person you are inside and the person you are presenting on the outside. Sometimes they are in conflict, and sometimes they are the same. That psychology of the exterior informing the interior is just so interesting.
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I had long hair when I was a teenager.
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I know I was a great friend to Tiger Woods. But when you have a relationship that's involves business and friendship - and the business part comes to an end - things always get a little blurry.
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I seek constantly to improve my manners and graces, for they are the sugar to which all are attracted.
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I suffered from 'No one will ever fancy me!' syndrome, well into my teens. Even now I do not consider myself to be some kind of great, sexy beauty. Absolutely not.
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I've lived in New York for a really long time.
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Golf is not easy.
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Mo'Nique is so full of love. I've been describing her as the tree in 'Pocahontas.' She's so wise and loving. She is just everything.
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I grew up on Marvel and, like, '2000 AD.'
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When I'm in Senegal, I can't just sit in isolation making music. People need my help. And the Senegalese people helped create my music. It comes from the country itself.
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Life is a quarry, out of which we are to mold and chisel and complete a character.
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There has been a strong tradition in this country that it is not the function of the military to educate the public on political issues.
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A lot of people I make music with are really talented and it doesn't stop at one instrument.
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There are children playing in the streets who could solve some of my top problems in physics, because they have modes of sensory perception that I lost long ago.
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I've made my music so that it could be about anything and everybody - whether it's a guy, a female or a goat - and everybody can relate to that.
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We've got a very difficult situation created by this embrace of the so-called Arab Spring. And that's not getting better. It's getting worse. The carnage for the people of Syria is horrific, and it's quite frankly too little, too late to reverse a lot of that.
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Nobody in France would ever say 'He's a Jewish novelist' or 'She's a black novelist,' even though people do write about those subjects. It would look absurd to a French person to go into a bookstore and see a 'Gay Studies' section.
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I become a first-time novelist and a senior citizen on the same day.
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The only moment football really stops is with a penalty kick - and that is a moment that is really dramatic. A penalty kick becomes a Western duel. It's two guys facing each other. Destiny and potential death, whether metaphorical or literal. That's why in the penalty kick at the end of the film, I shot it like an homage to the Sergio Leone Westerns I saw when I was a kid, especially The Good, The Bad And The Ugly.
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When you're 21, you think, 'Oh God, when I'm 36, oh God, that's nearly 40 and I'll look really old and wrinkly by then.' And actually, I quite like the way I look.
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Look at someone like Ke$ha. I wouldn't say she's got the most rangy, incredible voice, but she's got a thing. She stands for something, and people are buying into that.
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I have this habit to bow my head, as to look shorter, maybe as a result of an unconscious demand of not taking up so much space.
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She gave me this look – she might have been watching from a lifeboat as the ship went down. Or maybe it was the other way around.
