Harvey Fierstein Quotes
As the book writer for one big smash and one big smelly flop, I always wondered if anyone knows just what goes into making a great musical. When a show is a hit, the critics trip over themselves not knowing who to laud and applaud the loudest. It's that marvelous score, those urbane lyrics, that irreplaceable star. But only when a show is a flop, does anyone notice the book writer. And then it's always our fault.
Quotes to Explore
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I think Nick Markakis is a perennial All-Star, and nobody knows about him. I think people are learning about how good he is.
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Writing 'William Shakespeare's Star Wars' was a fun exercise in mixing just the right amount of the Bard with just the right amount of everyone's favorite galaxy far, far away.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I auditioned for this agency. I got an advertisement first, and then something else, which I got fired from. It was soul-destroying. And then the next thing I got, I thought was going to be my big break, and they cut the role. It was only the year that I started auditioning for 'Star Wars' when I really started getting roles.
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I think Star City should have Unesco World Heritage status. It will need to be adapted a little bit and made more glamorous than it looks now, but it should definitely be protected for the future.
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I started out with a dream to make a star in a jar in my garage, and I ended up meeting the President of the United States!
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You still stand watch, O human star, burning without a flicker, perfect flame, bright and resourceful spirit. Each of your rays a great idea - O torch which passes from hand to hand, from age to age, world without end.
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The first album I ever owned was 'A Star is Born.'
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I grew up on Raffi. That was my first impression of what a rock star was.
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In 'Rangoon', I play an action star of the 1940s.
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I remember we would get young, aspiring actors to come on '77 Sunset Strip' - I remember George Kennedy was one of those - and they would do a big guest star part, a lead, and they'd be paid maybe $850.
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There's show and there's business. Business is a whole other beat.
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I think probably one of the coolest things was when I went to play basketball at Rucker Park in Harlem. First of all, who would think that Larry the Cable Guy would go to Harlem to play basketball? And I was received like a rock star. It was amazing! There were people everywhere. There were guys walking by yelling, 'Git 'r done!'
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It's never been important to be a huge star or to have some breakout role. If you're the lead, you get a lot more screen time and you get a lot more chances to develop that character more thoroughly than you would if you do it in a little supporting part.
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I've always come into a show when the show was already up and running.
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Everybody wants to be a star right now, to be heard, to have a voice, so you have to give the confidence for people to have that ability - and give them the wardrobe to become a star.
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If you look at somebody like Sam Bee, she got to create her own thing without any expectations that there was a show there. That was probably liberating for them.
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People expect us to be a straight up dance band but there are many more elements to our sound that you really get to see during our live show and hear on our record 'See The Light.'
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I'm not a real big wine drinker. I enjoy wine from a distance.
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Never allow anything that divides or destroys the oneness of your life with Christ to remain in your life without facing it.
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I absolutely love my job. I feel so privileged: I get to travel the world, I get to witness history... and I'm constantly inspired by the different amazing characters I meet along the way.
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As the book writer for one big smash and one big smelly flop, I always wondered if anyone knows just what goes into making a great musical. When a show is a hit, the critics trip over themselves not knowing who to laud and applaud the loudest. It's that marvelous score, those urbane lyrics, that irreplaceable star. But only when a show is a flop, does anyone notice the book writer. And then it's always our fault.
