Harvey Fierstein Quotes
As the book writer for one big smash and one big smelly flop, I always wondered if anyone knows just what goes into making a great musical. When a show is a hit, the critics trip over themselves not knowing who to laud and applaud the loudest. It's that marvelous score, those urbane lyrics, that irreplaceable star. But only when a show is a flop, does anyone notice the book writer. And then it's always our fault.
Quotes to Explore
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I think Nick Markakis is a perennial All-Star, and nobody knows about him. I think people are learning about how good he is.
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Writing 'William Shakespeare's Star Wars' was a fun exercise in mixing just the right amount of the Bard with just the right amount of everyone's favorite galaxy far, far away.
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I would like - either as an actor, or producer or even director - to do something sci-fi or action-related. I like sci-fi, always have, 'Star Trek' and 'Star Wars' and all that stuff.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I think Star City should have Unesco World Heritage status. It will need to be adapted a little bit and made more glamorous than it looks now, but it should definitely be protected for the future.
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I started out with a dream to make a star in a jar in my garage, and I ended up meeting the President of the United States!
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You still stand watch, O human star, burning without a flicker, perfect flame, bright and resourceful spirit. Each of your rays a great idea - O torch which passes from hand to hand, from age to age, world without end.
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The first album I ever owned was 'A Star is Born.'
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I grew up on Raffi. That was my first impression of what a rock star was.
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In 'Rangoon', I play an action star of the 1940s.
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I remember we would get young, aspiring actors to come on '77 Sunset Strip' - I remember George Kennedy was one of those - and they would do a big guest star part, a lead, and they'd be paid maybe $850.
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There's show and there's business. Business is a whole other beat.
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I think probably one of the coolest things was when I went to play basketball at Rucker Park in Harlem. First of all, who would think that Larry the Cable Guy would go to Harlem to play basketball? And I was received like a rock star. It was amazing! There were people everywhere. There were guys walking by yelling, 'Git 'r done!'
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It's never been important to be a huge star or to have some breakout role. If you're the lead, you get a lot more screen time and you get a lot more chances to develop that character more thoroughly than you would if you do it in a little supporting part.
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I've always come into a show when the show was already up and running.
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Everybody wants to be a star right now, to be heard, to have a voice, so you have to give the confidence for people to have that ability - and give them the wardrobe to become a star.
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If you look at somebody like Sam Bee, she got to create her own thing without any expectations that there was a show there. That was probably liberating for them.
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Describing comic sensibility is near impossible. It's sort of an abstract silliness, that sometimes the joke isn't the star.
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I always thought 'Stump' was kind of like, you dropped something on your foot. It's not the most exotic rock-star name.
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EdX will be a creating a platform which will be open source, not for profit, and a portal for a website where universities will offer their courses. For example, MIT courses will be offered as MITx and Harvard courses as HarvardX.
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It is a great deal easier to do that which God gives us to do, no matter how hard it is, than to face the responsibilities of not doing it.
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I am still fairly new to the whole social media thing - I am definitely tweeting and Facebooking. It's a nice way to connect with fans.
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Analysis and synthesis are both as necessary to the thinking spirit as inspiration and expiration to the organism.
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As the book writer for one big smash and one big smelly flop, I always wondered if anyone knows just what goes into making a great musical. When a show is a hit, the critics trip over themselves not knowing who to laud and applaud the loudest. It's that marvelous score, those urbane lyrics, that irreplaceable star. But only when a show is a flop, does anyone notice the book writer. And then it's always our fault.
