Paul Revere Quotes
Quotes to Explore
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The Cinquecento was an engine of motivation at Fiat. It refurbished the image of the entire company. It's a symbol for the company, but it's more than that. It's a global Italian symbol, as Mini is a global British symbol and the Beetle is a global German symbol.
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Anthony Powell was the most European of 20th-century British novelists.
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People love coming on television, even if they have to show their miseries.
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When it comes to the British monarchy, I prefer to be seduced by an image than presented with a real person. It's kind of a Warhol thing.
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I love that sense of release as you throw yourself into the crowd as hundreds of arms are carrying you.
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I'm a big fan of British journalists like 'The Independent's Robert Fisk, but it's hard to find voices like his in the U.S.
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We'll see if we ever do another Ministry gig again or not. I'm not saying yes or no yet. All I'm saying is I know there's no new Ministry studio CDs coming ever again. I promise.
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My torso is short, but my arms are really long and gangly and my legs and my neck, and my feet and hands are really long, and I look like a duck.
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I have to say as an actor I have been inspired by so many British actors throughout the years.
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English is the result of Norman men-at-arms attempting to pick up Saxon barmaids and is no more legitimate than any of the other results.
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A tremendous strike which hit the defender full on the arm - and it nearly came off.
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I let Guerrero get his arms extended, and while that's usually a mistake to any power hitter, it isn't necessarily so to him. He has no strike zone. He'll hit the ball below the zone, the ball away, and he'll cheat inside and put good wood on it. So you choose your poison.
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It was a performance that had been coming for a while and it does not shock me all that much. When the pressure came on we produced the goods and we can take great satisfaction from that.
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Possession of arms implies an element of fear, if not of cowardice.
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I ought to have seized the initiative in 1938 instead of allowing myself to be forced into war in 1939; for war was, in any case, unavoidable. However, you can hardly blame me if the British and the French accepted at Munich every demand I made of them! (14th February 1945)
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I flailed my arm in a throwing motion before I could even walk.
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Free men have arms; slaves do not.
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Huge knots of sea-weed hung upon the jagged and pointed stones, trembling in every breath of wind; and the green ivy clung mournfully round the dark and ruined battlements. Behind it rose the ancient castle, its towers roofless, and its massive walls crumbling away, but telling us proudly of its own might and strength, as when, seven hundred years ago, it rang with the clash of arms, or resounded with the noise of feasting and revelry.
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Nature! We are surrounded by her and locked in her clasp: powerless to leave her, and powerless to come closer to her. Unasked and unwarned she takes us up into the whirl of her dance, and hurries on with us till we are weary and fall from her arms.
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I can’t know what’s coming. I only know how to make myself feel ready for it.
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Love, when it is a sacred quest, is a space of resurrection and repair. It does more than help us survive a soulless world; it helps us to transform.
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You get what you give, but also what you're willing to take. The night before, I'd offered up my hand. Now, if I held on, there was no telling what it was possible to recieve in return.
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To arms, to arms! The British are coming, the British are coming!
