Hayao Miyazaki Quotes
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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Stage and film are just two wildly different animals. Why compare the two?
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Film has played such a big part in my life, in my impressions of the United States.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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Film is anti-language.
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I'm extremely particular how my look should be in a film.
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The film industry is mostly about unidimensional characters.
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The film depends on the audience's belief in this relationship.
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It would be great to make a movie that had the style of a great '30's film.
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Being in a Woody Allen film. I cherish it.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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There are but few talents requisite to become a popular preacher; for the people are easily pleased if they perceive any endeavors in the orator to please them. The meanest qualifications will work this effect if the preacher sincerely sets about it.
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What fuels me is that there are a lot of people coming to Broadway and to the show Aladdin for the first time. Lots of kids and lots of adults and it's usually the kids were it's a special moment for them.
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I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.
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The destination you think is going to make you happy, doesn't.
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I make films as a business, not as a cultural endeavor.
