Hayden Fry (John Hayden Fry) Quotes
Quotes to Explore
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It's an ongoing joke that a black man is always the first one to get killed in movies.
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Bootworks' Black Box Theatre has a maximum seating capacity of two - as long as one of you is happy to sit on the other's lap.
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The misperception about the South is that everybody is racist, and all black people are victims, that what was prevalent in the '60s is only relegated to the South.
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Like all rice, black rice is great at absorbing flavours, but it's just as happy to act as a satiny bed for a poached egg, say, if you want to keep things simple.
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There's something really unique about 'Orphan Black' is that it has a lot of female leads, so it's about a lot of women's stories, but it's not women's stories in terms of trying to find a guy or keep a guy; it's about entirely other things.
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Core strength and stability is very important to me. Tennis is all about rotation of the body and my ability to create power. I incorporate a lot of abdominal, back and glute exercises into my gym sessions.
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A mistake that a lot of us have made, related to those who advocate for gun safety legislation, is that we try to process it through our legislative bodies, and that's where the NRA's strength lies.
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History teaches us that unity is strength, and cautions us to submerge and overcome our differences in the quest for common goals, to strive, with all our combined strength, for the path to true African brotherhood and unity.
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Something like 'Rust and Bone' would be a dream. Very pared down. 'Orphan Black' is such a challenge. I just need something that isn't as full-on intense as that.
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The No. 1 cause of preventable death for young black men is not auto accidents or accidental drowning, but homicide.
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Being deeply loved by someone gives you strength, while loving someone deeply gives you courage.
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I feel like my life experience is that of an outsider. Let me explain: my parents are from Panama, and they moved to the United States the year after I was born. They moved into an all-white neighborhood, where the previous black family had a cross burned on their lawn.
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There are no more white linen sofas in my house. We have a rule here: Anything below 36 inches has to be brown or black - the color of chocolate or peanut butter!
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We were constantly appealing for funds from readers when I edited 'The Black Dwarf' in 1968-69.
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If my strength is technology, financial structuring is my son's skill.
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Affirmative action makes employers think, 'Black woman nuclear physicist? Hah! Probably let her into Harvard 'cause they were looking for a twofer. Bet she got C's in high school practical math. Give her a job in personnel.'
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I always liked the visuals to be choice and at the same time minimalist. And, I love black boxes. After all, that's what theatre is, it's an empty space, and it's both limited and unlimited because the space is the space, but what you can do with people's imaginations is really endless.
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My husband has quite simply been my strength and stay all these years, and I owe him a debt greater than he would ever claim.
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White communities - and I exempt poor white communities from this - have power over their representation. White people have the ability to define themselves, to exert their agency in a way that they get to be believed. No one believes black people. No one. Until a white person vouches for them.
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My mother was a member of the Cape Coloured community. 'Coloured' is the South African word for the half-caste community that was a by-product of the early contact between black and white.
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The biggest thing politically within fashion is that the clothing should be displayed on different body shapes.
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I wrote about 22 plays before 'When You Cure Me,' which was staged in 2005. I occasionally get them out and have a read, thinking maybe there's a thought or an idea or even a turn of phrase that I could use for something new. There's not. They're dire.
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Black is a colour of power and strength.
