Robert Vaughn Quotes
Of course, neither David or myself ever saw a penny from them; it was the early days of merchandising.
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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I suppose Spotify is a good thing. The ads are quite annoying, but a lot of people seem to like it and use it. I don't myself, but it seems like a good idea, and the labels are getting a huge amount of money off it, but the artists aren't, so that must be good for them... but not us.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.
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I read comics and I did science, and never really put them together until I accidentally found myself in the middle of one.
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When you're a producer and an artist you're very critical of yourself. I like to produce other people, but I'm not that good at producing myself.
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I think of myself as a cover girl. But I would never do some kind of cheesy magazine.
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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I'm always trying to do the impossible to please people. It comes from not being secure in myself and not looking at the things within I have to fix. Sometimes you keep going because you don't want to face the truth.
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I like to work all the time and really immerse myself in the project.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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An incident that left an impression on me was the 1999 sub-junior national boxing championship held in Calcutta. I had trained extremely hard to get there but got kicked out in the first round itself. 'If others can win, why can't you?' I repeatedly asked myself.
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We have nothing to fear but fear itself... and, of course, the boogieman.
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In 1994, after four years of talking about travel on my first show, I realized I knew so little about the world - I knew so little about myself. I decided to quit my job and pursue a postgraduate degree in New York.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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You know, I have found out in the course of a long public life that the things I did not say never hurt me.
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I look at myself as an audience member. I still love movies, and I still go and sit in the back of the big dark room with everybody else, and I want the same thrill.
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I like to think of myself as a storyteller.
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I definitely enjoy my time by myself - and that's kind of the weird thing about touring; you're kind of constantly surrounded by people - but I actually do enjoy going out and doing things and being around people.
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Paint goes a long way in making old look like new.
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I've never been a six-foot-tall, skinny model, so therefore, I want to create an illusion. People always think I'm taller than I am - not just because of the shoes I wear but because of the way I dress. It's all relatively streamlined.
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I dance. A lot. I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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I've always felt, even as a songwriter, that the rhythm of speech is in itself a language for me.
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Of course, neither David or myself ever saw a penny from them; it was the early days of merchandising.
