Hedy Lamarr Quotes
Quotes to Explore
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If Bill jumps into something that relies on a lot of cymbals, I'll jump into something that relies on a lot of skin sounds; if he goes into metal tones, I'll go into wood, and so on. I basically play in his holes.
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I am getting to that age where I am too old to play the boy next door and too young to play Uncle Fester.
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Everybody's an artist. Everybody's God. It's just that they're inhibited.
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My experience growing up in a rough and tumble town in the blue-collar world of Western Pennsylvania in the 1970s was that anything a man did was always more important than anything a woman did.
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I have been a judge for 15 years and I've made up my own mind during all that time.
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Life moves fast. As much as you can learn from your history, you have to move forward.
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Every so often when I'm writing, a character might actually be a distinct person in my head - often not an actor or a face, literally a person who just seems to exist in my imagination. Then the challenge is finding somebody who is close enough to that to make me feel like I've ended up where I wanted to be.
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Injustice is relatively easy to bear; what stings is justice.
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What a publication can do is to help people get a clearer picture without jumping to any rash conclusion. I'm very happy that the 'Post' can take the responsibility to report on China in a broader and deeper way. I believe the 'Post' must be fair to our readers. We should let our readers see China from more angles and perspectives.
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Our censorship has sort of gotten a little too far. Too much censorship is just as bad as having none at all. Children need to be exposed to things, because if they don't see it, eventually, it's not like it's not going to happen, but it's just that there needs to be a balance.
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Flip through the channels, and there is no denying it: The world of cable news - and their network chat-show brethren - is very, very white.
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I wouldn't overestimate the importance of my popularity in the country and abroad but at the end of the day it's not as important because I believe that my presence here could make some difference and it could encourage people.
Garry Kasparov
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At its heart, engineering is about using science to find creative, practical solutions. It is a noble profession.
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The terror of the atom age is not the violence of the new power but the speed of man's adjustment to it, the speed of his acceptance.
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Success doesn't mean that you are healthy, success doesn't mean that you're happy, success doesn't mean that you're rested. Success really doesn't mean that you look good, or feel good, or are good.
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I think 2001 was the year Al Jazeera started to play an international role, in a way. Because in 2001, we were the only TV station located inside Kabul, and every image out of the war in Afghanistan, the beginning of the war in Afghanistan, came through Al Jazeera screen.
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I heard somewhere that whenever you write a book, people will ask you One Question about it over and over. And while I'm no expert in these matters, this is proving to be true. My first book dealt with a not-that-pleasant degenerate type, and the One Question was, 'Is this an autobiographical story?'
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A lot of our fiscal deficit went to fund consumption and really did not get used to build investment and infrastructure. The trouble is, you can get a spurt in GDP growth, which may not be sustainable. I would much rather build the gradient of a long-term marathon.
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There is no private house in which people can enjoy themselves so well as at a capital tavern... No, Sir; there is nothing which has yet been contrived by man by which so much happiness is produced as by a good tavern or inn.
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The great thing about having spent all this time on film sets is that I've been able to watch directors and how they work. I now know that this is what I want to do as well: to tell stories visually. But it's definitely my vision that I want to put across, nobody else's.
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Acting isn't really a creative profession. It's an interpretative one.
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Recreational talking is, along with private singing, one of our saddest recent losses. Like singing, talking has become a job for trained professionals, who are paid considerable sums of money to do it on television and radio while we sit silently listening or, if we're truly lonely and determined, call the station and sit holding the phone waiting for a chance to contribute our two cents' worth.
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Americans sometimes ask what the government does and where their tax money goes. Among other things, it pays for all kinds of invisible but essential safety nets and life belts and guardrails that are useless right up until the day they are priceless.
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All creative people want to do the unexpected.
