Eudora Welty Quotes
To imagine yourself inside another person...is what a story writer does in every piece of work; it is his first step, and his last too, I suppose.
Quotes to Explore
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When I was about four, people used to walk up to my mom and say I should be in commercials.
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One can never know enough. The unknown and its call lies even in what we know.
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I have big hands. I can't do the touch-screen thing. I'm a button guy. I want to press buttons.
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My number one goal is to love, support and be there for my son.
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No offense to music - thank you for Entertainer of the Year and all that stuff. But if you're a father or a mother, there's nothing that beats being a parent, and that's the best time of my life right there.
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I have never thought of a full-fledged career in Bollywood because boxing has never left my mind. But you never know.
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The American public got to see for themselves every day, all day, how this trial progressed. There's a lot of value in the public being able to see how the system works.
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I still find it hard to believe that the whole era of jazz is over.
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I'm not a one-issue person.
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I've been a bit of an electronics enthusiast and maker for a long time. I actually started the forum called ModRetro. It's an electronics enthusiast community that focuses on modifying vintage game consoles, and it's actually one of the larger game console modification forums on the Internet.
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If it's accessible by hundreds of millions of people, then it's as mainstream as it gets.
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Life is a series of steps. Things are done gradually. Once in a while there is a giant step, but most of the time we are taking small, seemingly insignificant steps on the stairway of life.
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I do not know You, God, because I am in the way. Please help me to push myself aside.
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At some point, you've got to realize, you're either a leading man or you're not.
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I always have one foot in the street, so I know not everyone wants to dress like the women they see in music videos.
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When I was 16, I had a really big hit in the K-pop world. It was a hip-hop/R&B/pop song. I kinda strayed from that because of the writers I was hanging out with.
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Going back to my film education, I always have that voice in my head that's always screaming, 'Sell out!' And that's good: you want that, because it keeps you on your toes, and it's important to remember what's actually important.
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I like to do one thing at a time and do it to the best of my ability.
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My mother-in-law was with me during all four of my births and when she was sitting next to me holding my hand during the cesareans, well, I craved that.
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As a youngster, when I started writing and stuff, I did actually write more from other people's perspectives. When I hit 18 and something happened to me that hurt me, I discovered that writing the truth is really therapeutic and amazing.
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It's a very dull thing to watch, a writer at work. So dull that whole casts of characters show up just to watch the boring writer writing.
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Certainly Amadeus because it was a very powerful time for me, we filmed it in the Czech Republic at a time of lots of social and political change going on in that part of the world.
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I went to a dialect coach and she told me that I had five problems; two were my Israeli accent and three were my New Jersey accent. I don't even want to know what I sounded like back then!
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To imagine yourself inside another person...is what a story writer does in every piece of work; it is his first step, and his last too, I suppose.
