Eudora Welty Quotes
Quotes to Explore
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I never blamed Pinochet, or my torturers, or external circumstances.
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I shall produce nothing that will offend the proprieties, whether applied to children or grownups. My pictures are turned out with clean hands and, therefore, with a clear conscience which, like virtue, is its own reward.
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I made sacrifices willingly; it was what I did best.
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The scene that has raised the most objections in 'The Interview' is at the very end, when Kim's head dissolves into flames. To me, it feels gratuitous.
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'Vanity' means worthlessness.
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I have to accept the fact that, no matter what I do, it's going to annoy someone.
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It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
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I thought of learning cinematography, so I assisted a cinematographer for an ad.
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America is huge.
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Were women meant to do everything - work and have babies?
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The alliance in Jammu and Kashmir is one of the most important developments on the contemporary political scene.
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The deepest and most sincere feeling I get is when I meet an artist and they have that steel in their eyes and they have that fire and that passion and all they want is to be a star and to hear themselves on the radio.
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Give the peasants neither life nor death.
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They hate whom they fear.
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I don't have the self-discipline for diets; I break rules I set for myself, so I try and eat more healthily, juice more, and avoid sugar.
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Charm, in most men and nearly all women, is a decoration.
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There is a fine balance between honoring the past and losing yourself in it. For example, you can acknowledge and learn from mistakes you made, and then move on and refocus on the now. It is called forgiving yourself.
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The interpretation of dreams is a great art.
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The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.
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What I've discovered and really confirmed to myself is that opera really likes loud colours, and you need something bold, something savage, unpredictable, passionate. You can't really run a two-hour opera round some muted murmuring.
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My dad has been my coach since I was seven years old - from 7 to 18 is when he coached my club team - and so it was always in the family. He introduced me to soccer at a young age and also kind of molded me into a good player at a young age, too. Which then I grew to love the game and be as passionate as he was.
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I feel that if I'm writing a book, it has to be an honest book: it has to say what I believe to be the truth, so that's kind of warts and all.
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There is the great creative part of it. The writing is the best part.
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What we know about writing the novel is the novel.