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I cannot give it to you, so try to watch me.
 Eugene Ormandy
					 - 
	
	
That's the way it was every time I studied it.
 Eugene Ormandy
					 
- 
	
	
Tonight I'm going to listen with my ears.
 Eugene Ormandy
					 - 
	
	
I am thinking it right but beating it wrong.
 Eugene Ormandy
					 - 
	
	
I conduct faster so you can see my beat.
 Eugene Ormandy
					 - 
	
	
The notes are right, but if I listened they would be wrong.
 Eugene Ormandy
					 - 
	
	
I know this music from memory, not from the music.
 Eugene Ormandy
					 - 
	
	
Without him here, it is impossible to know how fast he will play it, approximately.
 Eugene Ormandy
					 
- 
	
	
It's all very well to have principles, but when it comes to money you have to be flexible.
 Eugene Ormandy
					 - 
	
	
It is not as difficult as I thought it was, but it is harder than it is.
 Eugene Ormandy
					 - 
	
	
Suddenly I was in the right tempo - but it wasn't.
 Eugene Ormandy
					 - 
	
	
Beauty is less important than quality.
 Eugene Ormandy
					 - 
	
	
Mahler wrote it as the third movement of his Fourth Symphony. I mean the fourth movement of his First Symphony. We play it third. The trumpet solo will be played by our solo trumpet player. It's named 'Blumine,' which has something to do with flowers.
 Eugene Ormandy
					 - 
	
	
During the rests - pray.
 Eugene Ormandy
					 
- 
	
	
Brass, stay down all summer.
 Eugene Ormandy
					 - 
	
	
Muti is going to do the Alpine Symphony this year. He will do it well because it is not very well known.
 Eugene Ormandy
					 - 
	
	
We can't hear the balance yet because the soloist is still on the airplane.
 Eugene Ormandy
					 - 
	
	
I need one more bass less.
 Eugene Ormandy
					 - 
	
	
Don't ever follow me, because I am difficult.
 Eugene Ormandy
					 - 
	
	
The next movement is still in the factory.
 Eugene Ormandy
					 
