Eugenio Montale Quotes
For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
Quotes to Explore
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I don't think I knew that you could be a novelist. I think a lot of my students are in the same condition. I thought it was unreachable, that it was sort of dead people. It took me a long time - I think I was well into novel writing before I really thought, 'Actually, this is a valid pastime.'
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When I'm in the studio, I don't finish the song and say, 'That's going to be a big ringtone.'
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The stopwatch doesn't lie. The tape measure doesn't lie.
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I used to get some flack from my agents because I wouldn't even audition for parts where the hero uses violent force to be a hero.
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I never had only one job. I was either playing ball or writing or doing TV or modeling.
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When I recorded my solo album, 'Keep It Hid,' in 2008, I'd gotten more interested in songwriting, inspired by reading Charles Bukowski and connecting with unfancy, interesting language.
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It's never been seen that a street artist go as far as I've gone - keep consistent without wanting to do a bunch of ventures outside of music to keep my face out there.
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If we want to recruit and retain high-quality teachers, it starts with a fair wage, adequate working conditions, and the resources and support to succeed. Remember: teachers' working conditions are students' learning conditions.
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My grandparents lived in Hollywood, and I was surrounded by the romanticism of movies ever since I was a child.
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My motto is: feel the fear and do it anyway.
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I didn't particularly like being objectified.
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My father was a headmaster in England and then the dean of a college in Australia. We moved there when I was about five, so my education was in Australia, and I always felt I was Australian even though my passport was British.
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My career is chequered. Then I think I got pigeon-holed in humour; Shakespeare is not my thing.
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I'm never happy with what I've written. You imagine, before you start, there's a cathedral, and the moment it starts on the page, it's a garden shed. And then you just try to make it the best shed you can.
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I loved making 'Rising Sun'. I got into the psychology of why she liked to get strangled and tied up in plastic bags. It has to do with low self-worth.
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When it comes to helping make the country strong, we in Congress have an important role to play.
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I don't separate things out between what's personal and what's my work. My passion is personal.
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I feel like songwriting is an experiment in empathy.
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Look, natural gas, just like oil, is going to eventually go away. It's not renewable.
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The Netherlands and the UK are both seafaring nations and so our ability to create jobs and to generate future growth is built on the free market.
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Nature's economy shall be the base for our own, for it is immutable, but ours is secondary. An economist without knowledge of nature is therefore like a physicist without knowledge of mathematics.
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Music is something you feel, but nothing you ever touch. I wanted to affect all the senses so you can hear music and then you can touch clothes and they make you feel beautiful or they can make you feel aggressive.
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For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
