Oliver Goldsmith Quotes
The premises being thus settled, I proceed to observe that the concatenation of self-existence, proceeding in a reciprocal duplicate ratio, naturally produces a problematical dialogism, which in some measure proves that the essence of spirituality may be referred to the second predicable.
Quotes to Explore
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The entire time I was up shooting 'Suits,' I was running back to my trailer to help get 'Nine Circles' produced. It's a no-brainer for me to keep that part of life alive.
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No one should drive a hard bargain with an artist.
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Enjoy the satisfaction that comes from doing little things well.
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In Germany, of course, the Holocaust will always be in our history and a big stain on our lives.
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I wish I could compete again, but my good feeling is, these competitions are better as exhibitions.
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It's abhorrent to me that somebody is just evil, and you can't explain it.
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My tastes and inspirational artists were always rather eclectic and diverse.
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It was only a few years ago that I couldn't get hired to save my life.
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Politics was my third act. But I could have a fourth. I don't know what that will be yet, but there will be one.
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I didn't choose literature. Literature chose me. There was no decision on my side.
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I write about real people in disguise. If anything, my characters are toned down-the truth is much more bizarre.
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What I like about music is the songs you can remember the lines of in a single second.
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I've watched Urkel since I was a little kid.
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I was going to be the head wrangler at a ranch in Wyoming, and the reason I didn't take the job is because I couldn't have my family there - the family had to stay in town. I just wasn't willing to do that.
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Even Napoleon had his Watergate.
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I'm very pro-American - my entire family escaped poverty in Italy because they rightly believed in the American dream.
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A lot of cable television is shot on a single camera. Our eyes are more trained to that. It takes the camera off the crane, away from observing the action, to becoming a character in the story along with everyone else. People are getting used to that.
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In a novel, I think you have a contract with the reader to make the character representative - of a moment in history, a social class... for instance, I wanted to make the boy in 'A Boy's Own Story' more like other gay men of my generation in their youth and not like me.
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I couldn't think of a better way to pay tribute to him, ... I can't imagine his spirit being any happier than to receive this kind of honor.
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Before British title fights, I've played football on a Saturday before; it's silly as it is.
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If you stop one terror attack in the U.S., it may be connected to multiple other plots out there that are connected. If you reveal that you stopped one plot, it may tip our hand.
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However much we may sympathize with a small nation confronted by a big and powerful neighbours, we cannot in all circumstances undertake to involve the whole British Empire in a war simply on her account.
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The novel succeeds on terms exclusive to literature. A good film succeeds on terms exclusive to the cinema. That's why so many bad novels can become good movies, like 'Jaws' or 'The Godfather.'
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The premises being thus settled, I proceed to observe that the concatenation of self-existence, proceeding in a reciprocal duplicate ratio, naturally produces a problematical dialogism, which in some measure proves that the essence of spirituality may be referred to the second predicable.
