Eva Longoria Quotes
I would say 80% of the scripts I get are dramas and not comedies or romantic comedies, which is funny because that's what I do every week.
Quotes to Explore
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Under so much pressure and the situation that I was in, that was the personality that came across with me.
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I don't know whether they will give me a project just because I am cooperative and behave nicely, but it really helps. I never demand for anything or never throw tantrums at work.
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You know, there's a lot of activism that doesn't deal with empowerment, and you have to empower yourself in order to be relevant to any type of struggle.
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Anything where we're the butt of the joke, no one tells us about it.
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Traveling around sure gets me down and lonely, nothing else to do but close my mind. I sure hope the road don't come to own me, there's so many dreams I've yet to find. But you're so far away.
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Competition is warfare. Mostly it is played by prescribed rules--there is a sort of Geneva Convention for competition--but it's thorough and often brutal.
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My English is very bad.
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I've always written in first person. It gives the readers more insight.
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The relative majesty of buildings depends more on the weight and vigour of their masses than any other tribute of their design.
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Don't force your kids into sports. I never was. To this day, my dad has never asked me to go play golf. I ask him. It's the child's desire to play that matters, not the parent's desire to have the child play. Fun. Keep it fun.
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Divinity of art, it's such a mystery. How to convince people that no matter how much money you can spend on education and art education especially, that it implants, it directs a young person for the rest of their lives, and always in the most humane and positive and dignified manner.
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It's always great to perform at home in the good ol' U.S.A.
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The union of the states is indissoluble; the country is undivided and indivisible forever.
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A movie goes from several stages, from idea to script. As you continue shooting, you will make some adjustments. You're constantly adjusting. It's like a piece of music. You're constantly trying to make it better.
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I mean, yeah, Anne Fletcher was a choreographer, but she was born to be a director. You need to have the ability to figure out people's rhythms. It all starts from the script.
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I would say 80% of the scripts I get are dramas and not comedies or romantic comedies, which is funny because that's what I do every week.
